illustrator and graphic designer Simón Prades lives and works in Saarbrücken, Germany and teaches illustration at the university of applied sciences in Trier. He says that he prefers to work with analog mediums such ink, pencil and watercolor to help express his fantastic imagination that explores ideas of nature, memory, and dreams.
His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody.
German painter Valentin Fischer creates digital artworks featuring portraits of various people with hints of geometry and symbolism. He is pretty much self-taught, learning from the web and the influences of other artists such as James Jean and Sam Weber. He has worked in a number of capacities as a freelance illustrator but gave that up a while ago to become an Interface Designer.
Johanna Walderdorff is a freelance graphic designer and illustrator currently based in Leipzig. Focusing on digital collages at the moment she’s also able to draw naked cats and to build visually disturbing snowmen. Her pieces are large and characterful, humorous in their warped inner workings.
Dortmund, Germany based artist Mark Gmehling studied art, graphic design and marketing, worked in advertising for a while then got selfemployed as an illustrator. Nowadays he is exhibiting his personal artwork around the world. He loves to travel and paint murals everywhere possible.
Inspired by pop culture, he developed his photorealistic style. “Contemporary Drinsch” is how he names his characters and sculptures. Important for Mark, every work tells its own story. He is expecting from the society, by looking at his characters, to start thinking or at least it should give them a little smile on the face.
Sigmar Polke was a German painter and photographer who experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products.
Polke launched Capitalist Realism in response to Pop art, exhibiting the first works in this genre in Düsseldorf. Polke took as his motifs such ordinary food items as chocolate, sausages or biscuits, isolating them and apparently depriving them of their tactility in order to elevate them to the status of aesthetic signs.
Jan Robert Duennweller is an illustrator based in Passau, Germany and occasionally working from Berlin. His work has a content–driven approach with a focus on humor and versatility. His innocent-looking drawings disguise his ability to condense complex subjects into engaging and amusing images. Having first studied industrial design, Jan then took a masters in visual communications in Istanbul and at the Bauhaus in Germany.
German graphic designer Timo Lenzen makes posters and cover design with a personal language that mixes references from different epochs and styles. His simple and direct 3D drawings play with pure forms or simple architectural references transforming them into visual presences with a surreal touch.
With his subtle designs, that are always on point, Timo creates sometimes abstract, sometimes disturbing and always visually stimulating moods. In both his applied as well as his purely Graphic Arts you’ll be absorbed by the worlds he creates.
From June 6th to 12th, JUSTKIDS, in association with StreetArtNews, was invited by Urban Nation Berlin to take over their notorious signature event Project M. Bringing summer ﬂavors to Berlin they selected six internationally acclaimed artists, including 1010, Askew, Bicicleta Sem Freio, Borondo, Eron and Faﬁ to create murals around the German capital for Project M/9 “Colors”. The painting week was ﬁnalized with a group exhibition showcasing the works of eleven artists including Tristan Eaton, Felipe Pantone, Okuda San Miguel, Crystal Wagner, Maser, Jan Kaláb, and the six muralists.
Whether in large-scale murals in urban environments around the world, or on smaller scale pieces on paper and canvas, the featured artists—hailing from around the globe—converge to investigate the speciﬁc way a high-octane color palette can produce an intense visual experience. In some of the works—shown for the ﬁrst time in Berlin—this emerges from the interactions between colours and their tensions and contrasts; while other works inquire into the expressive qualities of colours in the context of visual culture today.
Sonja Vordermaier was born in 1973 in München, Germany. She now lives and works in Hamnburg. Her sculptures look like amorphous growth on the ceilings and in corners. At first glance, this seems nature-like, if not necessarily natural. It is as if one had been beamed through an electron microscope to another level of perception.
Although she has no constant visible style, she has a consistent way of thinking about sculpture, of using material to form images, and re-formalizing this from one work to the next. In the broader sense, this really entails the idea of recycling: Vordermaier develops sculptural shapes from the alienating appropriation of a material and the meaning of its customary use. By juxtaposing and combining mass and material she creates a tension that the sculpture can then exude, affecting its entire surroundings.
The Low Bros is an artist duo, which is made up of brothers Christoph and Florin Schmidt – formerly active as graffiti writers Qbrk and Nerd. Their work most often centers around stylized animal characters with human features, and addresses graffiti, hip hop, skateboarding and other elements which influenced and shaped the artists’ youth in the 1980s and 1990s.
The use of contemporary methods gives thematic glimpses into the future. The protagonists of their work embody codes and attitudes of city life, which are in contrast to the natural purity of the animal and nature motifs, also integral to their work. This tension drawn from the ambivalence between urbanity and nature gives rise to a whole Low Bros universe.