Leipzig based graphic-designer and artist Robert Deutsch works on a twisted pop-surreal inspired world reflecting the incongruous human behavior and thinking in a chaotic upside-down society, dominated by the image of the anti-hero.
Bizarre comic-landscapes and ludicrous humor impel the works of Deutsch into the absurd, although their essence is not far from reality and its current social and political issues. He represents and builds his characters with a bold artistic approach referring to various actions and topical allusions.
German street artist 1010 (previously featured here) has been creating these mysterious, portal-like street art illusions on walls around the world. Originally from Poland, 1010 moved with his parents to Germany, when he was eight years old. For more than a decade, the artist has been painting walls and making papercuts. Now he just finished a new amazing piece in Berlin. Check it out.
New York based German artist Erik Parker turned to eye-popping color and dizzying details in his recent paintings. Seemingly in constant motion, his paintings are composed of a myriad of tiny dots, paisleys, teardrops, squiggles, and drips, in a rainbow of bright colors. Parker creates bold, graphic compositions that riff on the traditional genres of portraiture and still-life. His visionary paintings draw their inspiration from diverse elements of American subculture—psychedelia, underground comic books, the Chicago Imagists, hip hop and heavy metal— as well as Picasso, Francis Bacon and Roy Lichtenstein.
Cologne-based artist Melike Kara’s canvases are sketchy and spare, economically painted in one or two colors on bare white background. The characters that populate her enigmatic canvases are regularly put through their paces. While some images seem relatively sedate, others are full of figures performing an array of impressive choreographies featuring gravity-defying somersaults and backflips. The contorted bodies, all long arms and legs, offer a casual articulation of human anatomy: with their outstretched hands and legs akimbo, the figures literally let it all hang loose.
illustrator and graphic designer Simón Prades lives and works in Saarbrücken, Germany and teaches illustration at the university of applied sciences in Trier. He says that he prefers to work with analog mediums such ink, pencil and watercolor to help express his fantastic imagination that explores ideas of nature, memory, and dreams.
His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody.
German painter Valentin Fischer creates digital artworks featuring portraits of various people with hints of geometry and symbolism. He is pretty much self-taught, learning from the web and the influences of other artists such as James Jean and Sam Weber. He has worked in a number of capacities as a freelance illustrator but gave that up a while ago to become an Interface Designer.
Johanna Walderdorff is a freelance graphic designer and illustrator currently based in Leipzig. Focusing on digital collages at the moment she’s also able to draw naked cats and to build visually disturbing snowmen. Her pieces are large and characterful, humorous in their warped inner workings.
Dortmund, Germany based artist Mark Gmehling studied art, graphic design and marketing, worked in advertising for a while then got selfemployed as an illustrator. Nowadays he is exhibiting his personal artwork around the world. He loves to travel and paint murals everywhere possible.
Inspired by pop culture, he developed his photorealistic style. “Contemporary Drinsch” is how he names his characters and sculptures. Important for Mark, every work tells its own story. He is expecting from the society, by looking at his characters, to start thinking or at least it should give them a little smile on the face.
Sigmar Polke was a German painter and photographer who experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products.
Polke launched Capitalist Realism in response to Pop art, exhibiting the first works in this genre in Düsseldorf. Polke took as his motifs such ordinary food items as chocolate, sausages or biscuits, isolating them and apparently depriving them of their tactility in order to elevate them to the status of aesthetic signs.