MONOCHROMATIC PIECES BY PHILIPPE DECRAUZAT

by Ariadna Zierold

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Lausanne, Switzerland based Philippe Decrauzat professes an interest in the “direct relationship Op art provides to the viewers and the way it influences their minds.” Decrauzat’s monochromatic, geometric sculptures, wall paintings, and installations are rooted in the traditions of Op art and Minimalism established in the 1960s and ’70s. Yet in subtly manipulating the relationships between his artworks and the spaces in which they are situated—arranging his works as a sort of navigational tool in a gallery, or arraying stripe paintings to create effects of light and shadow—Decrauzat imbues his historically rooted work with a 21st-century sensibility.

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FLUORESCENT STREET INSTALLATIONS BY AAKASH NIHALANI

by Ariadna Zierold

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Aakash Nihalani was born in 1986 in Queens, New York and is currently based in Brooklyn. In 2008, he received a BFA from Steinhardt School, New York University and in 2012 he was awarded a residency at the Willem de Kooning studio in East Hampton.

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Nihalani’s street installations, which are constructed from strips of instantly identifiable fluorescent tape, open up unexpected dimensions and often enlightening and humorous perspectives to the otherwise routine urbanscapes upon which they are affixed. His pieces are meant to engage the public by creating environments that can be physically entered and explored from various angles, exposing unnoticed details, and transforming passersby or gallery visitors into active participants.

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DYNAMIC GEOMETRIES BY KATE MATTHEWS

by Ariadna Zierold

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Kate Matthews‘ practice explores the limits of geometric and optical painting through the use of color, repetition, sequence and distortion. She creates 3D art with a striking optical effect. In each piece of art, a 2D painting is transformed through sculpture, architecture, and geometry.

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Matthews breaks down the rules of established, modernist, two-dimensional abstraction. Obscuring the rules of fixed, consecutive arrangements, her work generates a sense of unease by creating broken and fragmented shapes whilst in a uniform composition. As the viewer moves around the work, the forms, shapes and shadows alter, creating a sense of disorientation and surprise.

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