Adam Crawford is a Philadelphia based artist. He is a graduate of both Pennsylvania Academy of Fine Arts and UPENN. Crawford’s paintings are a mix of sharp, vibrant geometric forms and grotesque beasts, appearing in both shared spaces and separate studies, using acrylics, spraypaint, and an array of surfaces for his works.
Sarah Emerson is an artist based in Atlanta, Georgia. Her paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and mythic archetypes to examine contemporary landscape. She uses the camouflage of beautiful colors combined with a deliberate composition to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape.
Kristin Farr is an artist and journalist based in the San Francisco Bay Area. Kristin is inspired by humor, nostalgia, color psychology, rainbows and magic. She is exploring a legacy of folk art through her color-crazy geometric paintings, and is interested in good vibes and human-made objects that contain mystical powers.
Shanghai, China based Inkee Wang has a background studying graphic design at Central Saint Martins and latterly animation at the prestigious Royal College of Art in London. Inkee creates illustrations fizzing with weird and wonderful narratives.
More recently, Inkee has been working with watercolors to add a textural representation to her characters. She is also working on improving her Cinema 4D skills, in an attempt to write a longer story and make an animation about it.
Los Angeles-based artist Revok (previously featured here) first became interested in art through his father’s collection of 60s and 70s album covers and comic books, as well as the skateboarding and graffiti scenes. For over two decades, Revok has continually pushed the boundaries—both creative and legislative—of street art, producing vibrant works that meld structured with dynamic colors and forms. After years of a decidedly anti-institutional practice, Revok began making studio work, finding inspiration in his ability to refine the techniques he mastered as a street artist. His ultimate goal is to be constantly maturing and evolving as an artist, never confined by any one way of making work.
Peter Judson is a multi-talented illustrator and printmaker based in London inspired by such luminaries as the Memphis Group and Dieter Rams. After starting his career at the age of 14 with a Microsoft Paint drawing published in Pictoplasma, Peter spent some time as the leather-clad drummer of an unsuccessful band before ending up where he is now – creating satisfyingly transfixing work full of brow-furrowing graphical goodness.
New York based Calvin Seibert builds sand castles inspired by modern architecture. His sculptures are minimal in appearance, yet complex in form. They feature a mix of geometrical shapes and neat angular edges, that it’s hard to believe are made of sand and water. Using a paint bucket, homemade plastic trowels, and up to about 150 gallons of water he creates spectacular modernist sandcastles.
John Harman’s exploratory, give-it-a-go-and-see-what-happens attitude has propelled him since he was a boy. His iterative journey has had its fits and starts, but its forward momentum has been fueled by his unceasing curiosity and his desire to learn—not just from his tools, but also from the larger creative community. While working full-time, Harman pursued a four-year degree in video game art. The courses taught him a lot, but they skipped right over the basics, so, as with Photoshop before, his made his own way through 3D Studio Max, Adobe InDesign, and a whole host of other programs.
Los Angeles based Mark Whalen (previously featured here) has been showing some new work. Using a tightly controlled painting technique, Whalen expresses satirical social narratives in seemingly universal situations. The most recent series of sculptural works continues his study into the complexities of displacement and positioning that we, as both individuals and a species, experience through our evolutionary trajectory. Construction netting captures, cordons and compartmentalizes our distinctive characteristics as they shift under the weight of societal pressure through this ever-changing global economy.
Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.