Morgan Blair (previously featured here) is a freelance illustrator, fine artist, and desperado. She is a recent graduate of Rhode Island School of Design (RISD), now living in Brooklyn, New York and continuing to advance her interest in trees, legos and excellent music.
Blair’s recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles. The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.
Brooklyn, New York based Clark Goolsby‘s abstract paintings spring from an interest in how we maintain optimism in a world that is so full of potentially life-ending situations. Goolsby’s imagery often references mortality, the passage of time, and mutable perceptions of space; skulls, body parts, and skeletons are recurring motifs in some of his abstract compositions.
His style is characterized by experiments with hard-edge geometry and surrealism, and is also influenced by classical art history and graffiti. In the late 2000s, Goolsby started incorporating different materials into his acrylic on paper works, including collage elements, pen, pencil, spray paint, and markers. More recently, he has created multimedia sculptural installations with string.
Much of David Rice‘s work focuses on the themes of nature and its personifying characteristics. Growing up in the mountains of Colorado, he has a special connection with the outdoors. David uses the natural landscape and its inhabitants as his primary subject matter.
Melding together an organic style with graphic overlays, his style combines a mixture of the natural world with a geometric presence. Blurring the boundary between manmade and natural. Instead of only a natural world existing, or one that is manmade, the two can coexist harmoniously if the dominant party yields to this cohesive existence.
Ryan Lauderdale is a Brooklyn-based artist who was born in Cushing, Oklahoma, and graduated from Hunter College in 2012 with an MFA in Combined Media. His work slips between associations of Modernist furniture and architecture into other realms where similar codes have been borrowed and particularized such as the aspirational marketing of exercise equipment, transcendental meditation, and the faux-fancy gaudiness common to cheap casinos and strip clubs. His combination of design nostalgia with minimal art just works. It amounts to a precisely observed American Mannerism that is simultaneously earnest and cheeky.
“What we think of as a tidy and linear historical timeline becomes wholly strange and interconnected when looking at specific visual historical threads such as car design or mall architecture. We see how hopes and dreams were passed from one source only to be modulated to different aims by another. The Internet, with all of its archiving potential, further establishes this rhizomatic worldview as reality. Nodes of information collide, mix and hybridize. It is here that the potential for new cultural material can grow.”
Illustrator Tomomi Mizukoshi’s uses color, form and composition to create her own reality and give us a peek into her wild imagination. Using compasses and rulers to create her shapes, Tomomi controls over each element, providing an unusual neatness and order to the surreal nature of her colorful illustrations.
Adam Crawford is a Philadelphia based artist. He is a graduate of both Pennsylvania Academy of Fine Arts and UPENN. Crawford’s paintings are a mix of sharp, vibrant geometric forms and grotesque beasts, appearing in both shared spaces and separate studies, using acrylics, spraypaint, and an array of surfaces for his works.
Sarah Emerson is an artist based in Atlanta, Georgia. Her paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and mythic archetypes to examine contemporary landscape. She uses the camouflage of beautiful colors combined with a deliberate composition to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape.
Kristin Farr is an artist and journalist based in the San Francisco Bay Area. Kristin is inspired by humor, nostalgia, color psychology, rainbows and magic. She is exploring a legacy of folk art through her color-crazy geometric paintings, and is interested in good vibes and human-made objects that contain mystical powers.
Shanghai, China based Inkee Wang has a background studying graphic design at Central Saint Martins and latterly animation at the prestigious Royal College of Art in London. Inkee creates illustrations fizzing with weird and wonderful narratives.
More recently, Inkee has been working with watercolors to add a textural representation to her characters. She is also working on improving her Cinema 4D skills, in an attempt to write a longer story and make an animation about it.
Los Angeles-based artist Revok (previously featured here) first became interested in art through his father’s collection of 60s and 70s album covers and comic books, as well as the skateboarding and graffiti scenes. For over two decades, Revok has continually pushed the boundaries—both creative and legislative—of street art, producing vibrant works that meld structured with dynamic colors and forms. After years of a decidedly anti-institutional practice, Revok began making studio work, finding inspiration in his ability to refine the techniques he mastered as a street artist. His ultimate goal is to be constantly maturing and evolving as an artist, never confined by any one way of making work.