Born in Hereford, UK, Jon Fox graduated in Fine Art Painting from the University of Brighton in 2004. A child of the 80s, he was initially attracted to Japanese and American cartoons, comics and computer games, along with hip hop and the graffiti styles that came with it.
Dynamic geometric structures, angular shapes and striking color characterize Fox’s tightly packed scenes of mystical figures and their existential struggles. Drawing on personal introspection, Fox juggles narrative and pictorial composition to produce vivid mindscapes, layered journeys in search of an underlying energy and balance.
Niels de Jong was born in the Netherlands and currently living and working in Berlin, Germany. Growing up in a family of creatives Niels was always surrounded and influenced by different elements of art. From visiting his grandparents and their wood working shop to watching his father paint and sketch day in day out.
His history in Architecture and his love for nature and the outdoors is projected onto his current paintings and art works. Niels uses both these elements by combining geometric and organic shapes, looking for the perfect composition where the result is close to calculated precision.
Sten and Lex are among the most internationally renowned street artists in the world. The Italian duo has developed an unique technique, the halftone stencil, which allows them to create poetic and powerful pieces influenced by op-art. Sten and Lex first met at the end of medical studies in Rome, while taking a radiology course together. They were profoundly inspired by the material potential of x-ray film, and it was during class that they first began to cut out the skeletal forms, a process which foreshadowed their current practice.
Los Angeles based Nalini ‘Deedee’ Cheriel (previously featured here) is a visual artist who started out creating record covers and T-shirts for the Oregon music scene in the early ‘90s. Born in the hippie town of Eugene, Oregon, she began her own band and record label at the age of 19. Influenced by the popular DIY culture of that time, she played in several all-girl bands (Juned, Adickdid, The Teenangels, The Hindi Guns) and co-created the semi-autobiographical film Down and Out with the Dolls. This artist has lived and studied abroad: Honduras, Chile, England, Portugal, Spain and her native India.
Cheriel’s work explores narratives that recognize the urgency and conflict in our continuing attempts to connect to the world. With influences derived from such opposites as East Indian temple imagery, punk rock, and her Pacific Northwest natural environment, her images are indications of how we try to connect ourselves to others and how these satirical and heroic efforts are episodes of compassion and discomfort. Bold elements drawn from landscapes -both urban and natural- and pop culture suggest the ability to find commonalities and relationships between ourselves and our surroundings that inevitably confirm our greater humanity and quest towards love.
Adrian Landon Brooks (previously featured here) studied painting at the San Francisco Art Institute and currently lives and works in Wimberley, Texas. Brooks works predominately in the mediums of painting and illustration, using found materials such as wood, metal, and old photographs as his canvas.
“Creating otherworldly backdrops for mystical iconography has long been a driving force in my work. Wormholes, starscapes and portals serve as monuments to something greater than myself. Through the process of making this work, I attempt to share my vision of a higher power and purpose.” Adrian Landon Brooks
Alan Brown aka ‘Medusawolf’ is an illustrator living in Philadelphia, PA. He graduated from Delaware College of Art and Design in 2004. Alan uses watercolour and gouache for his paintings. He also makes comics, toys, masks and lots of other fun things.
He paints portraits of demons, beasts, and robots – each radiating their own agonizing, pulsating energies. These intensely hued dimensions merge bits of insanity, beauty, and humor and crunch it all down into a fun but very warped output.
Morgan Blair (previously featured here) is a freelance illustrator, fine artist, and desperado. She is a recent graduate of Rhode Island School of Design (RISD), now living in Brooklyn, New York and continuing to advance her interest in trees, legos and excellent music.
Blair’s recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles. The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.
Brooklyn, New York based Clark Goolsby‘s abstract paintings spring from an interest in how we maintain optimism in a world that is so full of potentially life-ending situations. Goolsby’s imagery often references mortality, the passage of time, and mutable perceptions of space; skulls, body parts, and skeletons are recurring motifs in some of his abstract compositions.
His style is characterized by experiments with hard-edge geometry and surrealism, and is also influenced by classical art history and graffiti. In the late 2000s, Goolsby started incorporating different materials into his acrylic on paper works, including collage elements, pen, pencil, spray paint, and markers. More recently, he has created multimedia sculptural installations with string.
Much of David Rice‘s work focuses on the themes of nature and its personifying characteristics. Growing up in the mountains of Colorado, he has a special connection with the outdoors. David uses the natural landscape and its inhabitants as his primary subject matter.
Melding together an organic style with graphic overlays, his style combines a mixture of the natural world with a geometric presence. Blurring the boundary between manmade and natural. Instead of only a natural world existing, or one that is manmade, the two can coexist harmoniously if the dominant party yields to this cohesive existence.
Ryan Lauderdale is a Brooklyn-based artist who was born in Cushing, Oklahoma, and graduated from Hunter College in 2012 with an MFA in Combined Media. His work slips between associations of Modernist furniture and architecture into other realms where similar codes have been borrowed and particularized such as the aspirational marketing of exercise equipment, transcendental meditation, and the faux-fancy gaudiness common to cheap casinos and strip clubs. His combination of design nostalgia with minimal art just works. It amounts to a precisely observed American Mannerism that is simultaneously earnest and cheeky.
“What we think of as a tidy and linear historical timeline becomes wholly strange and interconnected when looking at specific visual historical threads such as car design or mall architecture. We see how hopes and dreams were passed from one source only to be modulated to different aims by another. The Internet, with all of its archiving potential, further establishes this rhizomatic worldview as reality. Nodes of information collide, mix and hybridize. It is here that the potential for new cultural material can grow.”