New York City based Ted Lawson reveals a persistent interest in the human body. His art investigates processes related to the physical body such as growth, its needs, its decay and death. Lawson strips individuality from his subjects while simultaneously forcing character through implications of the viewer, and therefore, complicating the very meaning of identity.
Using figurative representation and geometric abstraction, Ted Lawson creates a narrative progression of forms that reveals something conceptually greater than the sum of their parts. Ted’s large scale works combine digital technology with highly crafted traditional sculpting methods to seamlessly produce conceptual objects that express the underlying analog truth within his subject matter.
Priscilla Yu is a multi-disciplinary artist, illustrator, and designer based in Vancouver, Canada. She paints worlds that appear to dwell in a strange gravity. Her work employs geometric forms and skewed perspective, as a stylistic constraint, which is sprinkled with the intuitive balancing of color, form, and texture that she internalized as a child.
Edinburgh-based illustrator Dominic Kesterton encompasses a vast range of compositions made up of beautiful color shades and squiggles. Kesterton’s fantastical 2D universe of writhing patterns, psychedelic colors, digitally rendered forms, and abstract, geometric figures are both evocative and abstract in equal measure.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.
Xavier Veilhan is a French artist living in Paris. His work includes photography, sculpture, film, painting and installation art. Concerned with the scenography of a dedicated presentation, Veilhan addresses issues of perception as well as the physical and temporal relationships created within the context of the exhibition format. Check out his geometric sculptures that resemble low polygon 3D renderings.
Berlin based Maren Karlson makes drawings of powerful Amazonian women interfacing in a world of recurrent tropes that range from dominatrix Mickey Mouse, hyper-geometric interiors, and half-burnt cigarettes. The character is mammoth, with undulating arms and an anthropomorphic braid; badass, aggressive and splendid. Her ladies hold their fists high, they’re vulgar and violent and unapologetically beautiful.
Bruna Canepa is an illustrator, architect, writer for the music blog Suppaduppa and co-founder of Miniatura, a project she created with architect and artist Ciro Miguel in 2011. As an illustrator, Bruna is obsessed with exploring space related themes and objects, clearly evident in her various interpretations of rockets and satellites. Her drawings combine basic geometric shapes with few but effective colors to great effect.
Beverly Fishman’s artistic practice comments on the state of mankind with respect to the ever-increasing amount of and dependence on technology in our daily lives. More specifically, her artwork examines how medical data is rapidly becoming an increasing part of our identity as it has the ability to define and confine us in many ways, such as manic depressive, menopausal, obese, diabetic or hypertensive.
That data is not only used to describe our ills, or lack of wills, but also to prescribe and perpetuate our growing reliance on medications—ethical or otherwise—to make us look, feel and perform better.
American artist Andrew Faris uses acrylic paint on canvas to render minimalist, abstract artworks, then sets them within rural outdoor settings and photographs the outcome.
Juxtaposed against cool panoramas, Faris’ paintings seem like portals to a digital world. Recalling the geometric abstraction of Frank Stella, the bold, colorful pieces sharply contrast their serene and snowy settings, tricking the eye into thinking they’re virtually fabricated.
Portland-based artist Adam Friedman‘s breathtaking landscape paintings seem to defy the rules of perspective, space and time. In a world where barren woodsy forests grow from tumultuous seas and tower towards clouds of snow-capped glaciers, almost anything seems possible.
Drawing his influence from a childhood in Lake Tahoe, and a strong interest in nature, Friedman distorts these themes with an almost mathematical ambiance – juxtaposing symbols of geometry with ethereal subject matter.