by Ariadna Zierold
Mary Iverson is an exquisite landscape painter with a razor-sharp contemporary edge. On the surface, we see activism, her collages and paintings warning us of a dystopic future existence. Mary’s prints and paintings resonate with data visualizations and information graphics, Modernist painting, and resurgences of photo-realistic and illustrative painting as well.
Iverson’s shipping containers can be seen as metonymic stand-ins for a whole system of distribution for objects that we deal with every day. They are like scientific conceptual “black-boxes” which are put into place to sidestep our actual material understanding. We might see these containers on a dock or train and have only a vague sense of what they may contain or how those materials might be used. This parallels directly with the distribution of data on the net. The analog and digital worlds of things echo each other.