Sri Lankan-born, Sydney-based artist Ramesh Mario Nithiyendran creates rough-edged, vibrant, new-age idols that are at once enticing and disquieting. He experiments with form and scale in the context of figurative sculpture to explore politics of sex, the monument, gender and religion. Self-portraits make frequent appearances and the dual presence of male and female organs suggest gender fluid realms of new possibilities.
Los Angeles based Katie Grinnan uses sculpture, photography, sound, and video to explore the relationship between our visual and kinesthetic experience and our resulting interpretation of space.
Grinnan’s most recent work reflects the search for structure and form within complex systems such as the brain and the universe that resist resolution and are largely speculative. It is the alchemical, yet paradoxical relationship between actual experience and our interpretations that has become the underlying focus of her work.