Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.
“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui
Chicago artist and musician Gregory Jacobsen chooses to render in his awkward acrylic, confidently sensual world flags in butts, shit beaks, and fleshy chunks of meat caught in seemingly intimate moments.
The candy-coated colors draw the viewer in, only to confront them with a heap of labia coupled with mangy flesh slabs in a chunky meat heap, or a cheery young girl toppled over with a flag stuck in her vagina, a voyeuristic pig smirking behind her. The viewer doesn’t exactly know how to feel, confronted with these awkward, intimate affairs rendered in unsuspecting hues, an effect Jacobsen is after.
Much like the piles of fleshy, gloopy shapes that walk a fine line between vagina and open wound, the exact purpose of his work is difficult to pin down. Obsessed with failure, ambiguity, and comedic tragedy, Jacobsen appears to care for the characters he creates without fetishizing them.
Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron’s grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn’t mean it doesn’t exist. “Russell’s main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer.”
The realism and surrealism of Cameron’s beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us.
Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project “Flesh and Bone” to a gallery near you.
Cao Hui‘s ultra realistic sculptures manage to be intriguing while stomach turning. Cao sculpts every day objects such as furniture or clothing as if from butchered flesh and innards. His strict attention to detail can be seen from the entrails spilling out of a slashed cushion to a couple swollen armrest stitches. Though constructed from resin, his artwork appears to bulge, droop, and tear much like actual flesh. Cao juxtaposes inside and outside, essence and appearance in a very literal manner. While disturbing, Cao effectively executes his work with a certain dark humor.