INFINITE FLESH BY WANJIN GIM

by Ariadna Zierold

wanjin gim, painting, seoul, korea, painting, paintings, painter, nude, nudes, flesh, anatomy, body, texture, color, abstract, upper playground

Wanjin Gim aka Willeys was born in the Republic of Korea and is currently living in Seoul. Wanjin usually paints nudes. Fascinated by Lucian Freud’s paintings, he is mainly devoted to expressing the abstract curves of the human body and the infinite color of the surface of the flesh. In recent years, the idea has expanded to conceptual and meta-physical work.

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FLESH VANITAS BY MIGUEL SCHEROFF

by Ariadna Zierold

miguel scheroff, painting, paintings, hyperreal, hyperrealism, realism, flesh, vanitas, madrid, spain, faces, muscles, blood, upperplayground

Madrid based Miguel Scheroff is a painter whose works range between reality and fiction. Using the technique of oil painting as his favorite, he presents large-scale works made with an incredible hyperrealism. He puts in contact painting with photography, although that it is not his intention, but he aims to critique the society within we live.

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NEW DISSECTED SCULPTURES BY CAO HUI

by Ariadna Zierold

cao hui, sculpture, anatomy, dissection, organs, human, faces, stone, resin, flesh, upper playground

Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.

cao hui, sculpture, anatomy, dissection, organs, human, faces, stone, resin, flesh, upper playground

“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui

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FLESHY AND GLOOPY CHARACTERS BY GREGORY JACOBSEN

by Ariadna Zierold

gregory jacobsen, painting, surreal, grotesque, flesh, fleshy, colorful, characters, chicago, upper playground

Chicago artist and musician Gregory Jacobsen chooses to render in his awkward acrylic, confidently sensual world flags in butts, shit beaks, and fleshy chunks of meat caught in seemingly intimate moments.

gregory jacobsen, painting, surreal, grotesque, flesh, fleshy, colorful, characters, chicago, upper playground

The candy-coated colors draw the viewer in, only to confront them with a heap of labia coupled with mangy flesh slabs in a chunky meat heap, or a cheery young girl toppled over with a flag stuck in her vagina, a voyeuristic pig smirking behind her. The viewer doesn’t exactly know how to feel, confronted with these awkward, intimate affairs rendered in unsuspecting hues, an effect Jacobsen is after.

gregory jacobsen, painting, surreal, grotesque, flesh, fleshy, colorful, characters, chicago, upper playground

Much like the piles of fleshy, gloopy shapes that walk a fine line between vagina and open wound, the exact purpose of his work is difficult to pin down. Obsessed with failure, ambiguity, and comedic tragedy, Jacobsen appears to care for the characters he creates without fetishizing them.

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Sculpting in the Dark | RUSSELL CAMERON

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron’s grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn’t mean it doesn’t exist. “Russell’s main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer.”

The realism and surrealism of Cameron’s beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us.

Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project “Flesh and Bone” to a gallery near you.

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (1)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (2)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (3)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (4)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (5)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (6)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (7)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (8)
 

 

FLESHY SCULPTURES BY CAO HUI

by Ariadna Zierold

cao hui, flesh, sculptures, disturbing, furniture, upper playground

Cao Hui‘s ultra realistic sculptures manage to be intriguing while stomach turning.  Cao sculpts every day objects such as furniture or clothing as if from butchered flesh and innards.  His strict attention to detail can be seen from the entrails spilling out of a slashed cushion to a couple swollen armrest stitches.  Though constructed from resin, his artwork appears to bulge, droop, and tear much like actual flesh.  Cao juxtaposes inside and outside, essence and appearance in a very literal manner.  While disturbing, Cao effectively executes his work with a certain dark humor.

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