Adrian Cox is a painter living and working in St. Louis, Missouri. Cox attended the University of Georgia for his undergraduate studies, and received his Bachelor of Fine Arts degree with honors in 2010. He obtained his Master of Fine Arts degree from Washington University in Saint Louis in 2012.
It is through his particular passion for figurative painting that the thematic seeds for his current work were sown. Adrian has placed his focus on disrupting the ways we interpret the man-made catagories which we all resort to using when comtemplating the natural world and our place in it. During the analytic process, he started breaking down and blurring the boundaries between humankind and our surrounding environment. By way of this, Cox was inspired to create his Border Creatures and their home, the Borderlands.
“My work forms an ongoing narrative that mythologizes the lives of the Border Creatures, a fictional race of beings that are defined by their shifting and indeterminate edges. These recurring characters exist in a state of perpetual metamorphosis. Through their mutations, they hybridize with mineral deposits, flora, and fauna, allowing an intense physical connection to their environment. These transformations cause them to take on the characteristics of their surroundings; the distinct categories of man and nature are disrupted as the boundaries between these creatures and their wilderness home, the Borderlands, become obscured. This symbiotic relationship blurs the Natural and the Unnatural, concepts that have been central to a traditional understanding of human identity. My paintings are mythic fictions that speak to a contemporary human experience, and suggest that there is no “pure” way to exist in the world. In the Borderlands, qualities that might be seen as grotesque or monstrous are synonymous with beauty. Ultimately, these paintings create an Arcadia for the Other, for creatures with fluid identities, a space where the language of difference breaks down.” Adrian Cox
Marguerite Humeau has produced an entire series of new work. A physical and sensory experience at the crossroads between research and fiction. Myths, speculations and fantasies are at the heart of Marguerite Humeau’s artwork. The development of each project includes a phase of extensive research and collaboration with numerous specialists and scientists.
Working at the intersection of art, science, and technology, Marguerite Humeau explores the mythic power of scientific narratives and their effect on a larger understanding of the world. Starting with intensive research, Humeau traverses diverse fields such as paleontology, media theory, and biology to find factual basis for her sculptural and sound-based works.
Oh, don’t act like this doesn’t interest you. It does. You don’t have a heartbeat if it doesn’t. The Guardian compiled their Top 10 of good sex in fiction, and the list is sort of what you would expect.
Roman Sommerville, an author, wrote the list, and had this to say: “Most adults are interested in sex. I am. My father was, and said as much to me when he was 92. I suspect that you are too. You’re reading this after all. Being so central to much of our lives and indeed life itself, it is a valid and important topic for fiction.”
A few that we know:
10. Platform by Michel Houellebecq
6. Dracula by Bram Stoker
5. Lady Chatterley’s Lover by DH Lawrence
1. Lolita by Vladimir Nabokov (1955)
We just got our New Yorker in the mail yesterday, and lo and behold, it was the Fiction issue. We hadn’t opened it up yet, but this morning we took a gander at the website, and the editors had a big section set-up of all the “20 Under 40″ authors, with Q & A’s will each new highlighted author from the issue. What we like is that already, we are learning about new authors, and feeling that there is new energy going on in fiction, and because we have been spending most of our time in the non-fiction realm, this is exciting news.