London-based Rebecca Chitticks is a contemporary figurative artist working in oil on canvas. Her work is informed by the creeping influence of the digital realm. Rebecca wants to incite emotion through her art and she insists on painting primarily male subjects.
Monochrome is Helena Vizcaíno, a visual artist and illustrator from Spain. She is currently living and working in Helsinki, Finland. She illustrates dark universes that don’t exist, elements from her imagination, natural and outer space elements. Her interests go from animation to the tattoo culture, to fashion design and advertising, where she also finds her inspiration.
LA-born and bred, Anja Salonen studied fine art at California Institute of the Arts. Salonen’s paintings have a splash of technicolor plasticine world about them. While her oddly-colored figures have often human bodies, more surreal elements can be found in their faces in the form of poster-paint toned noses, eyes and lips. While aware of their historical context, Salonen’s paintings are heavily reliant on a post-analogue visual language, and explore the interaction between body and virtual.
Self-taught French artist Lou Ros launched his career on the streets of Paris at the tender age of 17 when he would go around tagging walls and creating bespoke graffiti art. Today, he’s exhibiting his paintings all across the world and has made a solid reputation for himself amongst the global art community. His art represents the visible and not so visible worlds. With paint brush in his hands colors fly, dance and rejoice with pleasure and passion.
“Through the colors, brush strokes, composition, background and rhythm of the painting, I attempt to create works which truly represent bodies in a space without distortion. Without having a clear idea of the final result, I stop my work before it seems finished. The moment where little is enough to suggest the structure interests me, leaving the spectator’s imagination open at the moment the scene is starting to appear. Knowing when to stop before saying too much is what I tried to do.” Lou Ros
Dan McCarthy works quickly by rinsing and blotting thin layers of washed out pastel tones, allowing the paint to drip down the canvas. It’s a process based largely on intuition and working within the moment. He is stripping it all down to the essential basics, trying to let the sunshine in.
He recently started to work on ceramic sculptures that he calls Facepots. Wanting to express emotion, attitude and humour in his work, he chose faces as an obvious starting point. As Dan Mccarthy once remarked: “I’d like to include in my work something of the living spirit, something positive that can be taken away and built upon by a viewer. Certainly more a feeling than an attitude or ideology”.
The intuitive process in McCarthy’s ceramics is evident within the finished work. Wrestling with massive slabs of wet earthen clay, his rapid technique and composition becomes the work’s subject. Both painted and glazed with gold leaf and low fire lustre, the large facepots radiate a dynamic range of material possibilities, physical existence and emotional depth.
Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.
“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui
Cristina Tufiño is a Puerto Rican artist best known for the installations and photography she creates inspired by a social debris. Tufiño gets her inspiration from the social surroundings. Cristina’s expression comes in a form of certain rearranging of cultural products as if they were her very own artistic material.
Pang lives and works in London, painting both in the studio and around the city. Most of her work can be found in London, and she has painted walls in Rome, Lisbon, Paris, Vienna, Palermo, Marrakech, Ibiza, Seville and Poznan.
Exploring themes of psychology, mass social behavior and the human condition, her work contains a grisly, humorous narrative that vividly expresses her morbidly curious nature, and the more awkward questions regarding social facade, the inner-self and humanity’s constant struggle between the two.
Colombian illustrator Juan Osorno’s surreal astro-anatomical illustrations are not only an expression of the imagination but of the very experience of drawing. Faces that cave into landscapes and galaxies, anatomically precise studies of a hand that spill into a cascade of blood vein-like roots.
Osorno’s work is imbued with the scientific precision of botanical drawings and an almost mathematical examination of perspective and space within the two-dimensional paper palette. The combination of beautiful natural elements like geometric shapes, constellations and the human body make very interesting images, showing a deeper, more emotional, layer than the images you find in anatomical books.
Blake Neubert is an American painter, illustrator and writer now based in Fort Collins, Colorado. His art specifically concentrates on the last quarter of the 19th-century American West and images of cowboys, ranchers, and American Indians.
Although he began his career painting relatively standard Western Americana, he has recently blazed a bold new trail into more strange and surreal work. On his Instagram page and YouTube channel, you’ll find multiple videos of what is quickly becoming a signature style: he paints a figure, typically something you’d expect to see in your great aunt’s collection of kitschy thrift store art, then to finish the piece, slides a razor blade across the top layer of paint to reveal a hidden perversity beneath.
The finished work is a morbid curiosity—you just can’t help but stare and wonder why exactly Superman has terrifying bloodshot eyes or how the blonde beauty got a ball gag in her mouth.