Rome, Italy based Micaela Lattanzio has created a unique artistic identity by exploring the idea of fragmentation and reconstruction, implemented within her photographs. In her series called “Frammentazioni”, she takes photographs, predominately portraits, and then gives them a completely new personality by cutting them up into abstract pieces. She then pins the fragments together onto a new canvas, playing with light and depth, to create original works of art.
She uses different materials to realize her works as paper, aluminium, PVC and they born from a detailed manual photo or painting cropping made by her plots, which she breaks down into small pieces of different form, getting an intricate mosaic through which she deconstructs the image that later reassembles, giving to faces, bodies and natural elements a new logical visual that follows an incredible creative patterns.
Tel-Aviv based illustrator, animator and avid doodler Ori Toor (previously featured here) deals mostly with experimental 2d animation and obsessively drawing heaps of noodly landscapes and shapes. He never sketches or plans ahead, instead he improvises. The slightly darker undertones to Ori’s work are emulated by the shadowy color palette of changeable purples and blues.
Brazil based collective duoUinverso is a collaboration between Nadiuska and Priscila Furtado. The name is a play on the Portuguese words that mean ‘the inverse’ and ‘the universe’. The pair are multidisciplinary designers with experience in editorial and graphic design, and their main output is illustrations and ceramics.
Born in Norwich, Connecticut in 1970, Carter is an internationally known painter, sculptor,
photographer and ﬁlmmaker based in New York. He studied at the Maryland Institute College of Art, earning a BFA degree in 1992. In 1994 he studied at The Skowhegan School of Painting
and Sculpture, and in 1997 received an MFA degree from the University of California, Davis.
Carter’s paintings and photo collages incorporate dissociate facial features, body parts, and landscape elements into cohesive satisfying wholes, however his use of color and connectivity keeps the primary focus on the act of articulation and on the component relations rather than on the complete combined effect.
Japanese sculptor Yoshitoshi Kanemaki carves life-size sculptures from wood, but with a twist of mortality and transience. The disturbing pieces hinge often hinge on grotesque as the combination of the bulging weight and density of wood heightens the certainty of death that looms over all his creations. Each piece, with sizes ranging from life-size to miniature, is first sketched directly onto a large section of camphor wood and then chiseled to match the absurd female form.
Cameroon based artist Boris Nzebo’s multilayered paintings and collages conjure the astounding visual complexity typical of the West African city. Entirely drawing his subject matter from urban culture in his hometown Douala, Nzebo invests his works with psycho geographical impulse: their primary subjects are the elaborate hairstyles of men and women, which he lays on city views as integral features of the architecture.
Nzebo’s stylized execution owes a lot to painted haircut signs found outside Cameroon’s barber shops. Appropriating the language of advertising he creates portraits taken from detailed studies of traditional African hairstyles, often elaborate, and combines them with informal snapshots of local neighborhoods, urban architecture and scenes from daily life. This symbiotic connection allows for a multiplicity of readings of the image, rendering levels of information in a sort of visual polyphony that rhythmically integrates humans and the space they inhabit.
Mexico City based artist Francisco Esnayra is concerned with the emotional and revealing character of the face. He selects the features that most strongly depict the protagonist, thus carving a philosophical psychology and sculptural anthropology.
The sculptor penetrates deep within what’s human in the face and the mind. Through the creative process, Esnayra delves into himself- a self portrait in the mind and the face of each sculpture he molds. He incorporated in his figures the intellect and soul in histrionic fashion, hence the variety of facial gestures in his work.
Maryam Ashkanian, with the Sleeping Series collection, entrapped the world of dreams and subconscious sewing the dreamers’ faces, surprised in their inner expressions during the night, on soft pillows. She embroiders individuals deep in sleep onto the surface of her handmade pillows, matching the size of her subjects to the area one would physically occupy if they took a nap on her work.
The stitched sleepers lay sprawled in different configurations on the white background, some with their arms outstretched, whiles others hold them tucked into their bodies. These sculptures are a way to access the wide subject matter of dreams, a place where Ashkanian feels we can observe ourselves in one of the purest forms.
Madrid based Miguel Scheroff is a painter whose works range between reality and fiction. Using the technique of oil painting as his favorite, he presents large-scale works made with an incredible hyperrealism. He puts in contact painting with photography, although that it is not his intention, but he aims to critique the society within we live.