David “The Chung!!” Chung’s relatable body of work revolves around the recognition and acceptance of ourselves and our complex human emotions. Occasionally placed in unfortunate and/or awkward scenarios, The Chung!!’s colorful and expressive menagerie of characters are a study of his own personal day to day life. Packed with humor and heart, his work helps remind us to stop taking life so seriously and take a moment to step back and laugh at what is essentially ourselves.
Although born in Albany, New York, David spent the majority of his early childhood in Hong Kong and Taiwan. The remainder of his youth was spent in Upstate New York where he graduated from high school. After attending the University at Buffalo for 2 years, he eventually transferred and graduated from the College for Creative Studies (Detroit, MI) as an illustration major in 2006. David’s work has been featured in galleries around the world and he currently resides in Los Angeles with his wife, baby and dog. During the day, when he isn’t painting or working on designer toys, David works in the animation industry and is currently an Art Director at Dreamworks TV. He has worked on shows such as “Futurama”, “Robot and Monster”, “Clarence”, “Regular Show” and “Sanjay and Craig.”
Palma de Mallorca, Spain based artist Andrea Castro paints delicate oil work portraits overlaid by thick, expressive strokes of color. Castro, who originally studied fashion design, works in the overlap between abstract and figurative art, often adding details such as beading or embroidery to her works.
She considers art as another language, another way to express yourself. She’s fascinated by the idea of reaching everybody around the world, whichever the language they may speak, and connect with them through her character’s emotions or stories. She wants the observer to identify with her own artistic idiom and to vent of all those feelings we all have felt overtaking ourselves at some point. To do that she creates internal conversations with the subjects of her paintings, they tell her what they want to transmit as she’s giving them shape.
Nicole Rifkin is a Brooklyn based illustrator and co-founder of Ipsum Magazine. Rifkin’s illustrations are a wonderful homage to yesteryear, like high school scenes from American films, of being a teenager, a student, a time that was full of adventure, love and freedom, when nothing mattered and life was lived in the present.
Her aesthetic is rooted in nostalgia precisely for this reason, it holds a commonality, it is a place we all revisit, we all share. The memories that shape us, keep us alive as we get older and forget, as time catches up with us, oppresses us as we struggle to keep up with the chores, duties and necessities of ordinary life. These illustrations are wonderfully rendered, expressive, full of humanity and emotion.
Erik Thor Sandberg produces oil-on-canvas paintings centered on the expressive, allegorical power of the nude. Like earlier masters of his medium, Sandberg explores the intimate, uncanny connection between oil paint and human flesh and considers the figure to be painting’s most natural subject matter.
Using symbolism both established and personal, Sandberg creates narratives without definitive beginnings or ends; he captures pivotal moments and isolates them from time. Upon these suspended moments, the artist abstains from casting judgment and rather, empathizes with the figures that are often transfixed by self-wrought disaster.