DRIPPING CARPETS BY FAIG AHMED

by Ariadna Zierold

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Faig Ahmed’s surreal sculptures incorporate ancient carpet-weaving techniques from his native country of Azerbaijan into forms that anyone would identify has hyper-contemporary. His intricately patterned weavings are mounted on architectural structures, fabricated in wood or plastic. Sometimes the stark contrast between white form and traditional tapestry is startling enough on its own; other times, Ahmed alters the patterns to suggest digital manipulation, pixelation, and distortion.

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IDENTITY SCULPTURES BY TED LAWSON

by Ariadna Zierold

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New York City based Ted Lawson reveals a persistent interest in the human body. His art investigates processes related to the physical body such as growth, its needs, its decay and death. Lawson strips individuality from his subjects while simultaneously forcing character through implications of the viewer, and therefore, complicating the very meaning of identity.

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Using figurative representation and geometric abstraction, Ted Lawson creates a narrative progression of forms that reveals something conceptually greater than the sum of their parts. Ted’s large scale works combine digital technology with highly crafted traditional sculpting methods to seamlessly produce conceptual objects that express the underlying analog truth within his subject matter.

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DRIPPING INSTALLATIONS BY STERLING RUBY

by Ariadna Zierold

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Los Angeles based artist Sterling Ruby works in a large variety of media including ceramics, painting, drawing, collage, sculpture and video. Often, his work is presented in large and densely packed installations.

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The artist has cited a diverse range of sources and influences including aberrant psychologies (particularly schizophrenia and paranoia), urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist’s works often appear scratched, defaced, camouflaged, dirty, or splattered.

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