Sébastien Plassard is a talented editorial illustrator who knows how to turn simple images into powerful ideas by adding a little surreal touch. His style is characterized by a reduced use of contrasting and complementary colors as well as dreamlike scenarios, which quickly draw the viewer into a surreal world. He skillfully combines influences from the golden age of the 1920s with contemporary graphic trends. His distinctive work could be seen in a wide range of publications such as magazines, books, posters, etc.
Machineast is a design directing duo Fizah Rahim & Rezaliando based in Singapore. They focus on rich visual aesthetics for 3D illustration, typography and design. Rezaliando from Malaysia and Fizah Rahim from Indonesia met each other when they were in their mid-teens at the design school they both attended at the time. The connection and mutual understanding between them developed so naturally that it is almost as if they were pre-destined to become best friends, forge a joint career where they are always in constant collaboration and end up founding a creative studio.
They carry out spectacular projects where art and design are in perfect harmony; they maintain a continuous dialogue in a very specific aesthetic language. It is not surprising that their projects explore fields like digital art, 3D art, illustration and art multimedia; they transition seamlessly between abstraction and the dreamlike nature of surrealism; they make it clear – on many occasions – that they are children of the 80’s and passionate lovers of color and music.
Polish illustrator and graphic designer Patryk Hardziej lives and works in Tricity, Poland, and is active internationally. He handles projects dealing with illustration, branding, logo design, visual communication, editorial graphics and art projects, as well. In particular, Hardziej is fond of combining in different proportions technical aspects of graphic design with illustration. He loves old graphic signs and is highly interested in their history. Together with Patrycja Podkościelny they operate in a graphic tandem and run the ¬ Negation Studio.
Austria-based artist Alice Wellinger creates surreal imagery that deals with the troubles of daily life and of childhood memories. Her realistic approach to these figures and accompanying subjects has a eerie effect—it’s as if they actually exist, but in a way that’s similar to a vivid dream. While her editorial illustrations are colorful, with conceptual ideas, her personal work, dealing with everything from gender to the relationship between humanity and nature, is ironic and dark.
Keith Rankin started Orange Milk Records with his friend Seth Graham at the end of 2010, with an aim to document the underground scene emerging across America at the time. That movement made often wild and unprecitable transitions in style as it progressed over the years, and Orange Milk became a hub to capture some the divergent paths that individual artists connected to the scene were taking.
The thing that binds all of Orange Milk’s releases together is their striking artwork, created by Rankin himself. His collages and digital art are busy images, often depicting the familiar – sometimes even mundane – in surreal, dreamlike, and fantastical surroundings.
Berlin-based Andrea Wan is a Hong Kong-born illustrator and visual artist, known for the dream-like illustrations created in her unique surrealist style. Andrea’s work is often inspired by the subconscious mind as well as her daily life and travels. Her surrealist ink drawings often combine emotional states with dreamscapes and characters that represents people that plays various roles in her life.
Through an emotional landscape, people, animals and ghosts, Andrea communicates her most private emotions and thoughts, conveying them on watercolor paper. A distinctive visual language emerges from her illustrations, made from acrylic ink.
Brooklyn based artist Mi Ju received her BFA in painting and drawing at Yeungnam University and the San Francisco Art Institute. Later Mi went on to earn her MFA in painting and drawing at the Pratt Institute in Brooklyn.
Her work is an improvisation in liminality: between dream and concretized, ancient and contemporary, Korea and the West, ephemeral and eternal, the uncensored and codified. Each character, pattern and energy reflects states of consciousness that are revealed in the creative act, a form of both improvisation and organization wherein the uncensored is working in concert with momentary, yet specific compositional organizations. It is Ju’s intention that the work will be a place of meeting between memory, dream and fantasy, and concretized into meaningful visual terms.
Ugo Gattoni is a Parisian born and bred artist and art director, whose surreal and exquisitely detailed portraits, depictions of cityscapes, and strange, otherworldly objects and artefacts are renowned worldwide for their unparalleled level of skill. Working predominantly with graphite or ink, Ugo’s work is a whirlwind of minute details, dreamlike characters and typography.
Los Angeles based artist James R. Eads works with a background in traditional printmaking and painting. Like a map to a new world, his pieces act as illustrations for something unknown. Eads takes this feeling of discovery and scatters it throughout his work, offering a glimpse of the underlying magic of everything. He uses motion and color to create impressionistic dreamlike paintings that sway between reality and fiction.
James works primarily with a digital drawing tablet to create his pieces. This allows for the seamless transition to high quality prints. He takes what he has learned from his experience in painting and printmaking and translates it to the tablet resulting in work that can disguise itself as something else.
Barcelona based artist August Vilella frequently describes his oil paintings as images of “his past and future through the subconscious mind.” The large central figures of his work are monstrous creatures with giant, protruding eyes drawn from his imagination. With their long, deformed and almost insect-like bodies that seem to dissipate into the air, we should feel repulsed by their appearance, and yet their big-eyed expressions evoke feelings of empathy; loneliness, despair, longing, and hope are all themes represented by Vilella’s creatures.