Meagan Boyd aka Yin Shadowz lives and works in Los Angeles. Through her art, she explores the transcendental realm between dreams and waking life in the context of myth and magic. The work often depicts Utopian environments filled with modern day nymphs, spiritual deities, holy beings, and party monsters, relishing the interconnectivity between all animals, humans, and nature. Incorporating an explosive color palate and intricate line-work, her “freakishly folkish” aesthetic fuses nostalgia with an enigmatic urban glow. In addition to her artistic pursuits, Boyd is the art director and co-founder of the Applied Mythology Project, an organization that seeks to understand the relationship between creativity and esoteric practices in modern society.
She is launching her ‘Neon Fauves’ solo exhibitionat LA’s burgeoning Chinatown-based gallery Leiminspace on Saturday, August 12th. Comprised of acrylic and watercolor paintings on canvas and paper, the exhibition serves as the latest iteration of the artist’s bold investigations into spirituality, religious symbolism, and the Occult. Boyd’s floating deities, known as “fauves” serve as mystical centerpieces within each work, elegantly draped in flora and fauna against a flat vacuous backdrop. While grounded in present day, she re-imagines our universe as a vivid supernatural playground, seamlessly incorporating primitive art traditions with postmodern sensibilities.
South Korean illustrator Bang Sangho takes us on a psychedelic journey to a new planet—submerging our eyes and mind into the imaginary depths of the neon sea and black holes. Crater-headed humans are ticking time bombs in this world, as their brains erupt like volcanoes and revealing their insides as star-filled galaxies.
Edith Waddell is an illustrator, dancer and nature lover who was born in Peru. Her artwork is the result of an experimental process that combines acrylic painting, linocut printing, cyanotype printing, and Photoshop digital art printed on paper or canvas. By exploring different art media and embracing chance in her process, Edith has been able to give herself more creative freedom, and the end result is a dark, whimsical, and surreal style.
“My artwork is a reflection of my recurrent apocalyptic dreams and my personal relationship with the natural world. The dream world offers me a symbolic language that allows me to understand my own human nature in relationship with the world outside. As an artist, I am very inclined to investigate subjects such as metaphysics, the human psyche and dream symbolization to inspire the concept of my work. Starting from this conceptual material allows me to visualize fantastic, whimsical and occasionally macabre imagery. The main prototype I use is the hybrid animal/human creature, to represent such human dilemmas as overpopulation, genetic experimentation, narcissism, hedonism, or pollution. My goal in this is to force viewers to confront the dark and mysterious aspects of human psyche, our internal emotional conflicts and our relationship with the natural environment. My work is an invitation to an introspective examination and reflection upon our existence beyond the physical world.” Edith Waddell
Portland, Oregon based artist Betsy Walton uses organic and bright colors resulting in delicate and dreamlike images. Her interests include undersea exploration, psychology, mythmaking, and being in the present moment. She shows her paintings in galleries dotted across the United States and abroad.
Jim Buckels is a delightful anomaly: An artist more driven by his inner visions than by fashions and trends. Yet, his work possesses an innate sophistication that places it prominently within the post-modern mainstream. In fact, Buckels is a Neo-Surrealist of a peculiarly American Breed: a creator of dream-like images, rendered in a meticulous, modern airbrush technique with the crystalline clarity of a Colonial limner. In his lithographs and serigraphs, as well as in his acrylic paintings, Buckels limns a seamless realm of fantasy that has won him a major reputation in a remarkably short span of time.
Love Lundell’s paintings unfold in their own world. Dreamlike, mystical, surrealist, but also harboring references to the everyday, his paintings alternate between engaging the viewers directly and holding back in passive contemplation. Executed in a range of muted palettes, Lundell’s paintings includes collage technique and often reveals a fragmentary crackling effect due to layer upon layer of applied lacquer.
Oslo, Norway based Tine Isachsen is an artist that works with line drawing, watercolor, photography and video-art. She studied at Central Saint Martins – London and The National Academy of The Arts in Oslo.
Isachsen’s work has always been focused on faces and the human body with an emphasis on expression and emotion. Her work has a distinctive and expressive style, seducing the viewer into a dreamlike world where unsettling beauty emerges.
Sébastien Plassard is a talented editorial illustrator who knows how to turn simple images into powerful ideas by adding a little surreal touch. His style is characterized by a reduced use of contrasting and complementary colors as well as dreamlike scenarios, which quickly draw the viewer into a surreal world. He skillfully combines influences from the golden age of the 1920s with contemporary graphic trends. His distinctive work could be seen in a wide range of publications such as magazines, books, posters, etc.
Machineast is a design directing duo Fizah Rahim & Rezaliando based in Singapore. They focus on rich visual aesthetics for 3D illustration, typography and design. Rezaliando from Malaysia and Fizah Rahim from Indonesia met each other when they were in their mid-teens at the design school they both attended at the time. The connection and mutual understanding between them developed so naturally that it is almost as if they were pre-destined to become best friends, forge a joint career where they are always in constant collaboration and end up founding a creative studio.
They carry out spectacular projects where art and design are in perfect harmony; they maintain a continuous dialogue in a very specific aesthetic language. It is not surprising that their projects explore fields like digital art, 3D art, illustration and art multimedia; they transition seamlessly between abstraction and the dreamlike nature of surrealism; they make it clear – on many occasions – that they are children of the 80’s and passionate lovers of color and music.
Polish illustrator and graphic designer Patryk Hardziej lives and works in Tricity, Poland, and is active internationally. He handles projects dealing with illustration, branding, logo design, visual communication, editorial graphics and art projects, as well. In particular, Hardziej is fond of combining in different proportions technical aspects of graphic design with illustration. He loves old graphic signs and is highly interested in their history. Together with Patrycja Podkościelny they operate in a graphic tandem and run the ¬ Negation Studio.