Based in Tucson, Arizona, Daniel Martin Diaz is a fine artist with an insatiable curiosity to explore the mysteries of life and science. Diaz has designed artwork for large public art projects in the US and has won many awards such as a gold and platinum record designed for Atlantic Records.
“Over the past few years, I have become immersed in scientific and philosophical concepts, such as Anatomy, Computer Science, Math, Cosmology, Biology, Quantum Physics, and Consciousness. I have been particularly fascinated with scientific diagrams, which explain theories and properties through imagery. Although these rudimentary images are without any leanings towards aesthetics, I find them to be beautiful, though that is not the intention. All of the projects I have created begin as drawings, which I feel has a beauty and intimacy that painting cannot capture. The subtle lines that graphite creates, and the quickness in which one can capture an idea makes this medium alluring.” Daniel Martin Diaz
New York City based Mike Lee’s (previously featured here) graphite drawings contemplate the duality between artificiality and realism by taking everyday normalcies (figures, objects and settings) and working them into their most simplistic forms. Small subjects surrounded by vast white spaces, Lee’s drawings represent fleeting moments in a large world.
Chris Agnew is a British artist known for his highly detailed drawings and icon panel etchings. He received his BA in Contemporary Art Practice from The University of Leeds in 2008, followed by a Masters in Fine Art at the Wimbledon College of Art in 2010.
Agnew’s work deals with the construction and deconstruction of belief systems, be they political, religious, social or cultural. He is interested by the malleable nature of what we hold as ‘truth’, and how the presentation of information informs our subsequent understanding of events.
Eric Yahnker employs elaborate metaphors and cultural commentaries in his monumental, irreverent charcoal and colored pencil drawings. Immediately appealing on their surfaces, Yahnker’s drawings convey deeper meanings to viewers who patiently engage with them. The artist begins his drawings as a series of words in a sketchbook, collaging ideas as much as images. The results are aggregations of witty, politically charged imagery.
New York City based Erik Carter’s work is both aesthetically provocative and conceptually driven. The graphic designer and art director graduated as a CD major in 2011 and has gone on to work for MTV, The New York Times, andThe Office of Paul Sahre. His book covers and illustrations have received notable recognition in the design world and beyond.
Canadian artist and maker Erin Greenough creates intricate ink drawings using a dotwork or stippling technique inspired by science and nature. While working as a full-time graphic designer, Erin also freelances as an illustrator.
Not having come from a formal fine arts background, Sydney based Marc Etherington (previously featured here) is a self-taught artist with a practice that is driven by an inner compulsion to make art. Etherington’s works make very obvious nods to popular culture. Referencing contemporary icons like the Kardashian’s, McDonald’s and Justin Bieber, he also gives a slow and deliberate wink to pop culture of the past.
Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.”
While he worked in a range of media, from gouacheto oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. He produced wild and fantastic images of monsters, aliens, demons, robots, spacemen, spaceships, bizarre experiments, psychological horror, fantastic landscapes, and women.
Copenhagen, Denmark based Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely holding conceptual tones as well. Carlsen gets his inspiration from the human condition, specifically how art has captured human life over the last few centuries.
London based Gordon Armstrong AKA Mr Gordo is an illustrator, or rather ‘doodler’. His playful style and approach to design is refreshingly care free and unbridled of the slightest notion of giving one single fuck.