CONCEPTUAL ILLUSTRATION BY ERIK CARTER

by Ariadna Zierold

erik carter, illustrator, illustration, illustrations, drawings, animation, gif, line, minimalistic, colorful, bright, upper playground, new york city

New York City based Erik Carter’s work is both aesthetically provocative and conceptually driven. The graphic designer and art director graduated as a CD major in 2011 and has gone on to work for MTV, The New York Times, andThe Office of Paul Sahre. His book covers and illustrations have received notable recognition in the design world and beyond.

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erik carter, illustrator, illustration, illustrations, drawings, animation, gif, line, minimalistic, colorful, bright, upper playground, new york city

NODS TO POPULAR CULTURE BY MARC ETHERINGTON

by Ariadna Zierold

marc etherington, sydney, illustration, illustrations, drawings, funny, comical, popular culture, pop culture, icons, upper playground

Not having come from a formal fine arts background, Sydney based Marc Etherington (previously featured here) is a self-taught artist with a practice that is driven by an inner compulsion to make art. Etherington’s works make very obvious nods to popular culture. Referencing contemporary icons like the Kardashian’s, McDonald’s and Justin Bieber, he also gives a slow and deliberate wink to pop culture of the past.

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SCIENCE FICTION BY VIRGIL FINLAY

by Ariadna Zierold

virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground

Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.” 

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While he worked in a range of media, from gouacheto oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. He produced wild and fantastic images of monsters, aliens, demons, robots, spacemen, spaceships, bizarre experiments, psychological horror, fantastic landscapes, and women.

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SURREAL ANATOMICAL DRAWINGS BY TROELS CARLSEN

by Ariadna Zierold

troels carlsen, drawings, illustration, illustrations, drawing, anatomical, surreal, natural, organism, animals, humor, collage, upper playground, copenhagen

Copenhagen, Denmark based Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely holding conceptual tones as well. Carlsen gets his inspiration from the human condition, specifically how art has captured human life over the last few centuries.

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INTRICATE INK DRAWINGS BY BETH BROWN

by Ariadna Zierold

BETH BROWN, INTRICATE, INK, DRAWINGS, BALTIMORE, MONOCHROMATIC, MONOCHROME, ABSTRACT, UPPER PLAYGROUND

Beth Brown is a visual artist and experimental musician practicing in Baltimore, MD. Her body of work includes intricate ink drawings on paper. These delicate marks are a systematic response from one additive accumulation to another. Each drawing is essentially an illustration narrated through a personal visual language.

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PENCIL WORLDS BY JOSEPHIN RITSCHEL

by Ariadna Zierold

josephin ritschel, drawings, illustration, illustrations, drawing, pencil, colored, fine lines, lines, houses, scenes, jurassic park, rooms, humor, berlin, upper playground

Josephin Ritschel is an illustrator living and working in Berlin. In Josephin’s illustrations, fine lines, dark lines, little lines, lines on lines, and a few blocks shading all build up to make these incredible images full of life. Whether its spooky or sombre, funny or lonely, the scenes she creates have a real sense of energy and all tell their own, often bizarre, story. The illustrations are colored in with the kind of precision that children can only dream of when they try to stay within the lines of their coloring books.

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