Eric Nyquist is an American artist working in Los Angeles. After graduating from Art Center College of Design in Pasadena, he began a career as a working artist and illustrator. His body of work includes meticulous drawings, paintings, and collages that merge the organic and the industrial.
Nyquist chooses the line as his tool in creating dense narratives so detailed they straddle the representative and the abstract. His work disrupts stereotypes and forces the viewer to go beyond simply “looking” at things. Each drawing asks us to see analytically and not just physically.
In a technological age of rapid image making, Nyquist uses classical methods to create contemporary results. From etching to lithography, he upholds the craft of print-making while expanding the possibilities of the medium. The printing process informs his drawings—as he arranges layers and screens of color and texture into each piece.
Hamburg, Germany based Stefan Marx was educated by skate culture in his early teens, and is now the creator of a vast artistic universe, characterized by humorous line drawings of people, animals, and landscapes. He is constantly drawing everything he sees around him, transforming every scene to hundreds of drawings with his quirky style.
Cahill Wessel is an artist working out of San Francisco and has a vision of the world that we cannot all develop –at least not in all 5 senses. His work is based on his own experiences of life and the world, resulting inmulticolored and psychedelic illustrations.
He works in a variety of styles and mediums, mainly with colored pencil, which is a very labor-intensive medium. Ideas for pencil drawings pop into his head at the most unexpected moments, so he writes notes in his phone while out and about. Then he draws up small sketches of the ideas that he thinks aren’t stupid, select the arrangements that inspire him the most, and translate the sketch into a larger piece. He lightly maps out the imagery in graphite, and then begins the process of building up layers upon layers of colored pencil.
Brooklyn based Hai-Hsin Huang paints and draws quickly, basing the compositions on images she finds on institutional websites: government, schools, hospitals, and news outlets. The photographs she uses are vaguely propagandist, and her resulting paintings both poke fun at and reveal the horror in such images.
Huang’s works explore images indicative of contemporary life. She is interested in the ridiculousness and fear in society, the absurdity and the loneliness. As part of a generation marked by hedonism, people seem to know more but feel less. Catastrophes become assumptions; we practice suffering and crisis with laughter. Huang tries to highlight the lives of this easy and comfortable generation, and in particular, their lightness of being.
Boston based artist Nick Zaremba‘s (previously featured here) artwork ranges from small drawings, paintings, prints, and large scale murals to web graphics and t shirt designs. When making work, Zaremba combines influences from his youth, skateboarding, DIY ideology, fascination with nature as well as the topics of color, space, time, psychology, semiotics, childhood, and symbolism.
Since 2001 Nick has exhibited on the East Coast of the U.S. as well as globally from Hong Kong to Montreal. Most notably, he was part of a two-person exhibition at Gladstone Gallery in New York, as well as featured as one of the “40 Artists You Should Know” in the nationally juried publication; New American Painters.
Bryce Wymer is a director, designer, visual artist, illustrator and musician, currently based out of Brooklyn, New York. Wymer develops, designs, and directs within a variety of platforms, ranging from live action and animation projects to interactive to experiential design. He also operates Flat Earth Studios, a visual arts space specialized in fine art narratives and image making. Check out some of his illustrations and sketches.
Lisa Jonasson’s graphics, posters, comics, and drawings could, at first glance, be taken for the products of a naïve approach to art, because, in great detail and opulently, they mirror the variety of the world in vast ink panoramas. But at second glance, they are not archaic, but artistic research projects treating human states of emotion and their external manifestation, perception of oneself and others, and the collective’s effects on the individual.
Based in Tucson, Arizona, Daniel Martin Diaz is a fine artist with an insatiable curiosity to explore the mysteries of life and science. Diaz has designed artwork for large public art projects in the US and has won many awards such as a gold and platinum record designed for Atlantic Records.
“Over the past few years, I have become immersed in scientific and philosophical concepts, such as Anatomy, Computer Science, Math, Cosmology, Biology, Quantum Physics, and Consciousness. I have been particularly fascinated with scientific diagrams, which explain theories and properties through imagery. Although these rudimentary images are without any leanings towards aesthetics, I find them to be beautiful, though that is not the intention. All of the projects I have created begin as drawings, which I feel has a beauty and intimacy that painting cannot capture. The subtle lines that graphite creates, and the quickness in which one can capture an idea makes this medium alluring.” Daniel Martin Diaz
New York City based Mike Lee’s (previously featured here) graphite drawings contemplate the duality between artificiality and realism by taking everyday normalcies (figures, objects and settings) and working them into their most simplistic forms. Small subjects surrounded by vast white spaces, Lee’s drawings represent fleeting moments in a large world.
Chris Agnew is a British artist known for his highly detailed drawings and icon panel etchings. He received his BA in Contemporary Art Practice from The University of Leeds in 2008, followed by a Masters in Fine Art at the Wimbledon College of Art in 2010.
Agnew’s work deals with the construction and deconstruction of belief systems, be they political, religious, social or cultural. He is interested by the malleable nature of what we hold as ‘truth’, and how the presentation of information informs our subsequent understanding of events.