Angola based Binelde Hyrcan is a multi-disciplinary artist working across painting, drawing, sculpture, film, performance and installation. His work often addresses the absurdity represented by political and social customs and attitudes, in particular, critiquing structures of power and human vanity.
illustrator and graphic designer Simón Prades lives and works in Saarbrücken, Germany and teaches illustration at the university of applied sciences in Trier. He says that he prefers to work with analog mediums such ink, pencil and watercolor to help express his fantastic imagination that explores ideas of nature, memory, and dreams.
His work is often a combination of detailed and complex drawings and narrative ideas. Depending on the subject his illustrations can also be rough, spontaneous and moody.
New York City based Mike Lee’s (previously featured here) graphite drawings contemplate the duality between artificiality and realism by taking everyday normalcies (figures, objects and settings) and working them into their most simplistic forms. Small subjects surrounded by vast white spaces, Lee’s drawings represent fleeting moments in a large world.
Chris Agnew is a British artist known for his highly detailed drawings and icon panel etchings. He received his BA in Contemporary Art Practice from The University of Leeds in 2008, followed by a Masters in Fine Art at the Wimbledon College of Art in 2010.
Agnew’s work deals with the construction and deconstruction of belief systems, be they political, religious, social or cultural. He is interested by the malleable nature of what we hold as ‘truth’, and how the presentation of information informs our subsequent understanding of events.
Abuja, Nigeria based Modupeola Fadugba is a multi-media artist working in painting, drawing, and socially-engaged installation. With a background in engineering, economics, and education, she works at the nexus of science, politics, and art. Fadugba works in series addressing cultural identity, social justice, game theory, and the art world within the socio-political landscape of Nigeria and our greater global economy.
Eric Yahnker employs elaborate metaphors and cultural commentaries in his monumental, irreverent charcoal and colored pencil drawings. Immediately appealing on their surfaces, Yahnker’s drawings convey deeper meanings to viewers who patiently engage with them. The artist begins his drawings as a series of words in a sketchbook, collaging ideas as much as images. The results are aggregations of witty, politically charged imagery.
Brooklyn, New York based illustrator Rebekka Dunlap grew up in the Pacific Northwest, studied at the School of Visual Arts and graduated from the University of Washington with a degree in nihilism. Sometimes she draws comics about the things we feel but can’t explain.
She recently illustrated the indie game Cibele, winner of the IGF Nuovo Award and released her first collection of comics, Dream Tube, through the publisher Youth In Decline. Her experiences include creating online content for Frederator Studios, illustrating apps for TinyBop and making pictures for publications such as The New Yorker, The New York Times, BUST Magazine, BOOM Studios and Lucky Peach. However, she cannot do a cartwheel or curl her tongue.
Bangkok, Thailand based artist Pruch Sintunava‘s digital paintings draw your attention for its beauty and detailed animation. As you look deeper, you start to see the complexity and hidden meaning within each piece, and it stirs something inside you.
José Luis Sánchez Rull studied in the Pratt Institute in Brooklyn, NY. After recieving his title as Bachelor in Fine Arts (BFA), he returned to Mexico with a mind set in creating a body of work in his home-workshop in Tláhuac. Deep in solitude, he developed his craze for taking art to a moment farther from seeing and hushing and understanding image as a three-part existence: creating, seeing and talking.
Sanchez Rull’s drawings and paintings are fed by a broad repertoire of literary, visual, and musical references: from William Blake, Charles Bukowski to the comic strips in MAD Magazine and the cartoon characters Tom and Jerry. The work is an exploration of the artists psyche in terms of a visceral graphic expression.
Sean McCarthy received his BFA in Studio Art from the University of Texas at Austin and his MFA in Painting and Printmaking from Yale University.
McCarthy’s work is enigmatic, unsettling, and darkly comic. He renders the sagging crevasses and withered underbellies of a beastly world in a state of fantastic violence. His primal dramas recall the 19th Century decadent tradition, which conjured a darkness far more vibrant than the banality of our everyday evil.