Valencia, Spain based Moisés Mahiques‘ large drawings are both technically accomplished as well as being conceptually complex using drawing to question the value system of the individual, of contemporary life, action and consequence and above all the expressive possibilities of the line and figure.
At first glance these drawings are chaotic, a dense network of animated lines that attempt to capture an essence, the figure becoming an anthropomorphic expression of our alienation from the environment. On an aesthetic level Mahiques drawings are beautiful to look at, to peer into, the action dynamic, the line so clean, precise, so definite.
Canadian artist and maker Erin Greenough creates intricate ink drawings using a dotwork or stippling technique inspired by science and nature. While working as a full-time graphic designer, Erin also freelances as an illustrator.
Lui Ferreyra has been working with a signature fragmented style. The first move is substantiated by a geometric matrix which functions as surface: it embraces and emphasizes the aspect of flatness within a complex network of geometric shapes, each unique unto itself. The second move is fulfilled by the cumulative effect of all the shapes functioning together as a color-field in which each shape contextualizes every other shape, thereby providing all the necessary visual cueing to manifest a kind of window one can look through. These geometric fragments are blended by the viewer’s eye rather than the artist’s hand, producing color fields that Ferreyra intends to call attention to the connection between seeing and language.
Japan based Daniel Isles aka DirtyRobot is a creator of comics and illustrations, and he’s been doing so from a very young age. Daniel is currently working on a 365 days of drawing project, which he started back in July 2016.
Tim Molloy is a New Zealand illustrator and comic artist, living and working in Melbourne. Since 2006 he has collaborated with writer Adam Lachlan to produce Life on Earth cartoons. Recently he has published two graphic novels, ‘It Shines and Shakes and Laughs’ and ‘Mr Unpronounceable Adventures’.
Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.”
While he worked in a range of media, from gouacheto oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. He produced wild and fantastic images of monsters, aliens, demons, robots, spacemen, spaceships, bizarre experiments, psychological horror, fantastic landscapes, and women.
Tokyo and Melbourne based Stanislava Pinchuk aka Miso is a Ukraine-born artist that practices an interesting sort of bartering economics – when she does her trademark minimalistic and meaningful tattoos for her friends, they pay with goods or favors, not money.
In her most recent series “FallOut” Miso explores the changing topography of the Nuclear Exclusion Zone in Fukushima, Japan through a series of pin-hole drawings, inspired by fishnets she saw strewn on the ground when visiting the site.
Copenhagen, Denmark based Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely holding conceptual tones as well. Carlsen gets his inspiration from the human condition, specifically how art has captured human life over the last few centuries.
London based Gordon Armstrong AKA Mr Gordo is an illustrator, or rather ‘doodler’. His playful style and approach to design is refreshingly care free and unbridled of the slightest notion of giving one single fuck.