Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.
“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui
Alexandre Farto also known as VHILS just wrapped up an important 3month exhibition in Portugal titled, ‘DISSECTION’ curated by João Pinharanda for the EDP Foundation. Watch the video and check out his striking landmark exhibition:
“Dissection aims to be an in-depth reflection on the urban space, taking as starting point several of the structural elements that compose it. The artist’s intention is to establish a progressive path through several interconnected environments purposefully built in the museum’s space which enables the viewer to experience the passage from a dimension of noise, chaos and visual saturation – expressing life in contemporary cities – to a neutral setting where he proposes to conduct a methodical dissection of those same urban elements with recourse to the unconventional media and destructive techniques which he has been exploring in his work.
Objects inherent to the urban space which speak of life in the cities are here recontextualised and neutralised with white, eliminating contrasts, details and other characterising marks capable of distracting the viewer. This reflection enables to highlight the essential contained in the elements worked by Vhils through a practice of dissection following different cutting typologies that allow for a comprehensive view of the whole, free of interferences.
This operation of neutralisation permits a clinical, distanced reading, a critical de-composition which enables the unveiling of what lies beneath the several layers that compose these familiar elements which we face daily in a benumbed, unresponsive way. By confronting the viewer with this act of methodical separation, Dissection aims to foster a better understanding of the reality of the contemporary city and the complex web of reciprocal influence which gives form and substance to the relationship between it and its inhabitants.” – João Pinharanda
The ever prolific Nychos, who recently worked with Upper Playground to finish a large scale Tiger mural in San Francisco, dropped at least four more murals that we know of in the past two weeks. Currently in Brooklyn preparing for his solo show at the Mighty Tanaka Gallery, he works tirelessly dropping murals in the neighborhood with lightening speed. The newly finished murals in Brooklyn include a large scale Orca dissection and a second mural, a collaboration between Mexican artist, Smithe and Nychos