URBAN MINIATURES BY JOSHUA SMITH

by Ariadna Zierold

joshua smith, miniaturist, miniature, miniatures, sculpture, sculptures, building, buildings, urban, australia, norwood, detailed, decay, discarded, upper playground

Joshua Smith is a miniaturist and former stencil artist based in Norwood, South Australia. With a career spanning 17 years he has showcased his work in London, Paris, Berlin, New York, Japan and all over Australia in over 100 exhibitions. Formerly a self taught stencil artist Josh refocused his career to establishing Espionage Gallery, an Art Gallery based in Adelaide, South Australia showcasing both emerging and well established local, interstate and international artists. For 4 years he showcased over 600 artists from over 20 countries.

joshua smith, miniaturist, miniature, miniatures, sculpture, sculptures, building, buildings, urban, australia, norwood, detailed, decay, discarded, upper playground

In 2015 after the closure of Espionage Gallery Josh refocused back onto his own career this time as a self taught miniaturist. His miniature works primarily focus on the often overlooked aspects of the urban environment such as grime, rust, decay to discarded cigarettes and graffiti perfectly recreated in 1:20 scale miniatures.

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IMPERMANENCE BY JUAN TRAVIESO

by Ariadna Zierold

juan travieso, cuba, painting, miami, new york, impermanence, decay, pop, realism, abstraction, animals, nature, upper playground

Juan Travieso is an artist based in Miami and New York.  His work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.

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IMPERMANENCE AND DECAY BY JUAN TRAVIESO

by Ariadna Zierold

juan travieso, painting, animal, human, impermanence, decay, digital, pop, realism, abstraction, icons, upper playground

Miami and New York based artist Juan Travieso‘s work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.

juan travieso, painting, animal, human, impermanence, decay, digital, pop, realism, abstraction, icons, upper playground

His paintings involve images ranging from Soviet propaganda and cartoons, to the iconic figures of the Cuban revolution. Woven inside is the personal and how these personal and cultural icons are in constant conflict and transformation. Ambitious and daring are qualities in the very flesh of his work. Travieso is a dynamic maker he approaches painting with great appetite and produces a feast for the eyes and mind.

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