Bruno Pontiroli lives and works in Paris. After studying in Supinfocom, he turned to drawing and painting to express his desire for artistic creation. Pontiroli creates surreal worlds inhabited by fantasy characters: centaurs, mermaids and other creatures which contradict all laws of nature. In his poetic and mysterious painting we can see the unlikely become a reality. The artist brings to life all our childhood dreams and gives us a new way to see the world.
Edith Waddell is an illustrator, dancer and nature lover who was born in Peru. Her artwork is the result of an experimental process that combines acrylic painting, linocut printing, cyanotype printing, and Photoshop digital art printed on paper or canvas. By exploring different art media and embracing chance in her process, Edith has been able to give herself more creative freedom, and the end result is a dark, whimsical, and surreal style.
“My artwork is a reflection of my recurrent apocalyptic dreams and my personal relationship with the natural world. The dream world offers me a symbolic language that allows me to understand my own human nature in relationship with the world outside. As an artist, I am very inclined to investigate subjects such as metaphysics, the human psyche and dream symbolization to inspire the concept of my work. Starting from this conceptual material allows me to visualize fantastic, whimsical and occasionally macabre imagery. The main prototype I use is the hybrid animal/human creature, to represent such human dilemmas as overpopulation, genetic experimentation, narcissism, hedonism, or pollution. My goal in this is to force viewers to confront the dark and mysterious aspects of human psyche, our internal emotional conflicts and our relationship with the natural environment. My work is an invitation to an introspective examination and reflection upon our existence beyond the physical world.” Edith Waddell
Adrian Cox is a painter living and working in St. Louis, Missouri. Cox attended the University of Georgia for his undergraduate studies, and received his Bachelor of Fine Arts degree with honors in 2010. He obtained his Master of Fine Arts degree from Washington University in Saint Louis in 2012.
It is through his particular passion for figurative painting that the thematic seeds for his current work were sown. Adrian has placed his focus on disrupting the ways we interpret the man-made catagories which we all resort to using when comtemplating the natural world and our place in it. During the analytic process, he started breaking down and blurring the boundaries between humankind and our surrounding environment. By way of this, Cox was inspired to create his Border Creatures and their home, the Borderlands.
“My work forms an ongoing narrative that mythologizes the lives of the Border Creatures, a fictional race of beings that are defined by their shifting and indeterminate edges. These recurring characters exist in a state of perpetual metamorphosis. Through their mutations, they hybridize with mineral deposits, flora, and fauna, allowing an intense physical connection to their environment. These transformations cause them to take on the characteristics of their surroundings; the distinct categories of man and nature are disrupted as the boundaries between these creatures and their wilderness home, the Borderlands, become obscured. This symbiotic relationship blurs the Natural and the Unnatural, concepts that have been central to a traditional understanding of human identity. My paintings are mythic fictions that speak to a contemporary human experience, and suggest that there is no “pure” way to exist in the world. In the Borderlands, qualities that might be seen as grotesque or monstrous are synonymous with beauty. Ultimately, these paintings create an Arcadia for the Other, for creatures with fluid identities, a space where the language of difference breaks down.” Adrian Cox
San Antonio, Texas based Jason Limon is a painter who has exhibited his artwork in galleries across the U.S. and in parts of Europe. He studied Fine art and Communication Art in San Antonio and later began working as a graphic designer. His current art follows stories based on mythological creatures and paranormal cryptids portrayed with a hint of humor with a dose of strangeness. You can often see his characters brought to life in dimensional form through his complex sculptures.
Marguerite Humeau has produced an entire series of new work. A physical and sensory experience at the crossroads between research and fiction. Myths, speculations and fantasies are at the heart of Marguerite Humeau’s artwork. The development of each project includes a phase of extensive research and collaboration with numerous specialists and scientists.
Working at the intersection of art, science, and technology, Marguerite Humeau explores the mythic power of scientific narratives and their effect on a larger understanding of the world. Starting with intensive research, Humeau traverses diverse fields such as paleontology, media theory, and biology to find factual basis for her sculptural and sound-based works.
Louie Cordero’s paintings are informed by the complex political history of the Philippines. Depicting monsters and zombies from Filipino mythology, Cordero includes blood, gore, and military imagery to reflect the eclectic and often violent mix of indigenous culture with American, Spanish, and Asian legacies. In defining his aesthetic, Cordero is drawn to diverse sources, including kitsch, Indian advertising, American B-movies, and pulp fiction.
San Francisco based Michael Page’s work (previously featured here) offers the viewer an optic alternative to the visual reality of life, as we know it. Page introduces narratives of strange, phantasmagoric and frenzy nature. Intense and rich color pallet additionally provides a sense of vivid hallucination or hazy sensation from the depth of unconsciousness.
Regardless of the technique or the approach, it is the narrative which pops up and offers a full insight into his work. The different reality of his is inhibited with unusual creatures or entities. It seems as if these are manifestations, perhaps, of human delusions or just a specter of dreamscapes and alterations fulfilled with dynamic movement.
Originally from California, Laura Thompson moved to the UK to study International Relations at the University of St Andrews. After reading Richard Sennet’s anthropological and scientific studies, in which he states that technological advances have made us more and more detached from nature, creating a passive culture that deprives our senses, the Glasgow-based photographer knew she wanted to reflect this thought in her photographic work.
“From these findings I began to create modern day mythological narratives in which I explore themes associated with the dislocation of our senses. It is centred on constructed “yeti-like” creatures made up of either disposable manmade plastic forks, earplugs, vinyl gloves, car air fresheners or compact mirrors, each representing one of the senses. These creatures have been consumed by these modern, materialistic items and as such can no longer sense anything at all. Neither human nor animal, they wander between worlds fitting in nowhere, yearning to be part of a world they no longer belong to, and becoming a creature of myth.” Laura Thompson
Sean McCarthy received his BFA in Studio Art from the University of Texas at Austin and his MFA in Painting and Printmaking from Yale University.
McCarthy’s work is enigmatic, unsettling, and darkly comic. He renders the sagging crevasses and withered underbellies of a beastly world in a state of fantastic violence. His primal dramas recall the 19th Century decadent tradition, which conjured a darkness far more vibrant than the banality of our everyday evil.
Eva Funderburgh is a sculptor living in Seattle, Washington. While her work ranges from clay to bronze to installation work, the movement and emotional content of her work stand out, regardless of the medium.
Her work deals with the overlap of humanity and the natural world. She uses her simple, emotive animal forms to examine human motives and emotions. Storytelling and the idea of myth plays a very large role in her work, but equally so the notion of biology.