South Korean illustrator Bang Sangho takes us on a psychedelic journey to a new planet—submerging our eyes and mind into the imaginary depths of the neon sea and black holes. Crater-headed humans are ticking time bombs in this world, as their brains erupt like volcanoes and revealing their insides as star-filled galaxies.
Los Angeles based Mark Whalen (previously featured here) has been showing some new work. Using a tightly controlled painting technique, Whalen expresses satirical social narratives in seemingly universal situations. The most recent series of sculptural works continues his study into the complexities of displacement and positioning that we, as both individuals and a species, experience through our evolutionary trajectory. Construction netting captures, cordons and compartmentalizes our distinctive characteristics as they shift under the weight of societal pressure through this ever-changing global economy.
A Husmann/Tschaeni artwork stares you in the face. Under the layers of pinks, greens and blues, you sense movement. As if it is watching your back. Suddenly, you feel yourself being drawn into the art, losing focus. “A hell of positive energy with a small hint of hidden otherworldly darkness mixed with visual poetry and deep sensitive natural beauty. A daily biological presence combined with absurd undefined monstrous fantasy.”
Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.
Edith Waddell is an illustrator, dancer and nature lover who was born in Peru. Her artwork is the result of an experimental process that combines acrylic painting, linocut printing, cyanotype printing, and Photoshop digital art printed on paper or canvas. By exploring different art media and embracing chance in her process, Edith has been able to give herself more creative freedom, and the end result is a dark, whimsical, and surreal style.
“My artwork is a reflection of my recurrent apocalyptic dreams and my personal relationship with the natural world. The dream world offers me a symbolic language that allows me to understand my own human nature in relationship with the world outside. As an artist, I am very inclined to investigate subjects such as metaphysics, the human psyche and dream symbolization to inspire the concept of my work. Starting from this conceptual material allows me to visualize fantastic, whimsical and occasionally macabre imagery. The main prototype I use is the hybrid animal/human creature, to represent such human dilemmas as overpopulation, genetic experimentation, narcissism, hedonism, or pollution. My goal in this is to force viewers to confront the dark and mysterious aspects of human psyche, our internal emotional conflicts and our relationship with the natural environment. My work is an invitation to an introspective examination and reflection upon our existence beyond the physical world.” Edith Waddell
Toronto based artist Brian Donnelly (previously featured here) uses turpentine and hand sanitizer to melt the faces of his portraits into rainbow rivers. Inspired by an interest in human identity and vulnerability, Donnelly paints from real life, portraying features of his subjects with realistic precision. These portraits show all kinds of distortions, unsettling mutilations that deny any trace of socially accepted beauty or fragmented facial features that reveal human limitations and speak of vulnerability.
Yellena James grew up and attended art school in Sarajevo, BiH. At the age of 18 she moved to the U.S. After gaining her BA in painting and graphic design at UCF, she eventually made her way to Portland, OR. Preferring pens, inks, markers and acrylics, she combines complex abstract forms into dazzling images which take on lives of their own. Her colorful arrangements of organic shapes and tangled lines are at once floral and alien, organic and sci-fi. Each intimate world she creates seems to posses its own ethos and its own special ability to radiate emotion.
“My latest works further explore the intricate and delicate forms of an imaginary ecosystem, twisting and floating together in an alluring environment. I attempt to create an ethereal place which is hypnotically familiar and yet hauntingly exotic, adding tiny little details in a sort of compulsive meditation, until a perfect balance is created. The intricacy and high detail, along with hints of existing organic shapes lend to the intimacy and believability of each new world.” Yellena James
Hongmin Lee (previously featured here) creates striking paintings and illustrations. The South Korean artist displays an exceptionally gruesome aesthetic that features some surreal imaginative characters. Lee comes from a diverse creative background, but his work consists of primarily acrylic paintings and drawings, which he exclusively posts to Instagram.
New York based Caroline Larsen has an undergraduate degree from the University of Waterloo and a Masters of Fine Arts degree from Pratt Institute. Larsen’s work has been in numerous group shows throughout Canada, America and Germany.
Her work explores the sensation of being in the tropical landscape at night, when the heat exaggerates the saturation of the night hues. The paintings also play with the idea of abstraction. The paintings coexist between a recognizable form and a non representational image, but at the same time they are pictorial.
“Using the memory of landscapes and imagery that I experienced during my upbringing in Sarasota, Florida as a springboard I create images that evoke a celebratory tropical frenzy. My interest in tropical landscapes stems from my lived experience, growing up in Florida and spending time in Panama as an adult has greatly influenced my aesthetic.
A constant focus of all of my work, is the attentiveness to color and its role of imparting feeling. My paint application, with its texture acting as line and pattern, is an organizing form in and of itself; the ridges cast shadows and create optical rhythms. The paintings use a full color palette, keeping with my intention to be as ornamental and vibrant as possible.” Caroline Larsen
New York based German artist Erik Parker turned to eye-popping color and dizzying details in his recent paintings. Seemingly in constant motion, his paintings are composed of a myriad of tiny dots, paisleys, teardrops, squiggles, and drips, in a rainbow of bright colors. Parker creates bold, graphic compositions that riff on the traditional genres of portraiture and still-life. His visionary paintings draw their inspiration from diverse elements of American subculture—psychedelia, underground comic books, the Chicago Imagists, hip hop and heavy metal— as well as Picasso, Francis Bacon and Roy Lichtenstein.