Düsseldorf, Germany based Roman Klonek (previously featured here) was born in Kattowitz, Poland. He has a spot for old fashioned cartoons and modern block printing styles. In the 90s he studied Graphic Arts in Duesseldorf and discovered a passion for woodcut.
For 15 years he has been doing posters with a wide range of whimsical creatures, mostly half animal/half human, preferential in awkward situations. In his work, you will find a bizarre balancing act between propaganda, folklore and pop.
Ottawa, Canada based illustrator Michael George Haddad’s work transports you into a a whole new realm made up by the mad genius that is the artist, filled with feelings, emotions and sensations.
Haddad has gone on to pull inspiration from push-pin style art, French comics, paperback sci-fi books and xeroxed punk flyers, as well as from artists such as Lichtenstein and Tom Wesselmann to help him deliver color-blocked, psychedelic excerpts of a land that looks as peaceful as it does bizarre.
Daniel Rich translates photographs into paintings that call attention to implicit political and social narratives transcribed in the built environment. The architectural image is represented in his work to introduce a dialogue about changing political power structures, failed utopias, the impacts of ideological struggles, war and natural upheavals. He is interested in the highly symbolic role architecture plays in politics and its power to function as an icon of our lived experience, a portrait of an existential phenomenology whose features manifest where society is at one particular moment in history.
Rich’s paintings point to the shifting of the significance and meaning in both images of places and the places themselves. His interest in the potential divergence and duality of images and the media’s role in covering and presenting issues to the public is closely tied to a pictorial architecture, and its ability to act as an icon for political, religious and social systems and beliefs. He collects and appropriates photographs he finds on the Internet and in newspapers, in response to radio and television broadcasts, and through research and reading. The mediated image is painted in order to invest the picture with the capability to function as a signifier and to evoke meaning and discourse.
Paris-based art director and illustrator Inès Longevial creates lots of fantastic work across many mediums, but mostly paintings. Inès focuses on using mostly blocked out colors to create her pop inspired pieces that successfully draw the viewer’s eye in deeper and deeper. She describes herself as an artist of dissimulation.