Mat Maitland is a collage artist based in London. His images and films have been commissioned by a wide range of clients including Kenzo, Hunter, Interview Magazine, Tate Gallery, and Nike among many others.
“My aesthetic is pop with overlapping surrealist and cinematic tones. I love to abstract images and place them back together in a different context, which conjures up new ways of looking at things. Print and motion work are my favorite mediums. In different and yet complementary ways, they allow me to explore new dimensions” Mat Maitland
Ben Mendelewicz‘s work is a sickly mix of collage and digital manipulation, with lurid colors and gross representations of everyday life. The New York-based illustrator draws comics, illustrates and animates for the likes of Adult Swim, Stussy and Funny or Die.
London based artist Katja Angeli creates poised collages of simplicity and wonderment. Katja’s subtle artworks have gained her a selection for Bloomberg New Contemporaries, as well as being awarded the prestigious Clifford Chance Purchase Prize. Interfering with the digital, Katja’s practice uses traditional hand-made assemblage techniques with digital mark making, printing onto Japanese paper.
“Recently I have been examining ways of deconstructing the digital imprint, reflecting on the relationship between the digital and physical. The digital artwork eradicates the trace of the hand for an image that seems almost too perfect.” Katja Angeli
José Luis Sánchez Rull studied in the Pratt Institute in Brooklyn, NY. After recieving his title as Bachelor in Fine Arts (BFA), he returned to Mexico with a mind set in creating a body of work in his home-workshop in Tláhuac. Deep in solitude, he developed his craze for taking art to a moment farther from seeing and hushing and understanding image as a three-part existence: creating, seeing and talking.
Sanchez Rull’s drawings and paintings are fed by a broad repertoire of literary, visual, and musical references: from William Blake, Charles Bukowski to the comic strips in MAD Magazine and the cartoon characters Tom and Jerry. The work is an exploration of the artists psyche in terms of a visceral graphic expression.
Love Lundell’s paintings unfold in their own world. Dreamlike, mystical, surrealist, but also harboring references to the everyday, his paintings alternate between engaging the viewers directly and holding back in passive contemplation. Executed in a range of muted palettes, Lundell’s paintings includes collage technique and often reveals a fragmentary crackling effect due to layer upon layer of applied lacquer.
Brooklyn, New York based Brian Alfred‘s paintings, collages, and animations examine how technology has altered our perception of our surroundings and how we process information. Working from photographs, Alfred uses a computer to reduce images (often of architecture, machinery, urban landscapes, and office interiors) to their essential forms, before turning these elements into flattened, bold color fields that retain a handmade feel.
Luis Toledo (LAPRISAMATA) is an artist hailing from Madrid, Spain. The hyper-detailed digital collages of Toledo really need to be seen at a much larger size, something you can do at the artist’s Behance pages and at his website. As always with collage, composition is crucial, and Toledo certainly knows what he’s doing on that score.
Eva Eun-Sil Han was born in Korea where she lived for 27 years. When she encountered the collages of Max Ernst did she start to use collage as a means of artistic expression. In her work she combines material from any kind of ready-made mass media, such as newspapers, magazines or old books. Eva Han prefers to use knife and glue rather than working with pixels on a computer screen, because it allows her to touch, feel and smell the different source papers. Especially old paper smells good to her.
The artist collages photographs, her own and others, often drawing and painting onto the paper. Many of them seem purely abstract and in most, the assemblage of images is in such bits and pieces they don’t seem meant to be discerned specifically.
Particularly drawn to the home and its residents, Sewanee, Tennessee based Jessica Wohl exploits the uncanny while subverting domestic representations of perfection and happiness. She uses obsession, personification and gothic overtones to convey the idea that looks can be deceiving, and she interprets the family, the posed portrait and the suburban tract home as stages where this unsettling dynamic plays out.