Madbutt is a Brisbane, Australia based artist who experiments with hand cut and digital collage using mixed media. She uses her laptop when she is travelling and in between hand cut works. She keeps it simple using an application called Pixelmator.
When she is doing hand cut collage she uses an xacto scalpel, archival glue, a ruler, pencil and cutting board. She has used different paints in the past but she feels as though she could have more fun using this medium with larger works. She tries to hold off on using vintage materials until she is 100% sure that she has a great concept to work with.
Wisconsin based artist Annalynn Hammond seeks to question the dichotomies that play in the world of human ideas. She is best known for her unique hand-cut paper collages made from vintage textbooks and natural history magazines. Hammond combines different subject areas including, human and animal, body and soul, mind and machine, culture and nature, purity and sin, power and weakness, and many other antitheses.
Her surreal collages encourage the viewer to ask questions and think about the extremes within the pictures. The single images are undeniably someone else’s work, which were found, stolen, destroyed and appropriated. But a thing in itself has no meaning. The idea of a collage is to cut a special image region out and paste it into another picture, giving a new context to the assembled artwork.
Sam Jedig‘s works raise an question about how we interpret ourselves and reality as it is presented to us through the steady flow of images of mass culture. The fragments of images in the works have been removed from their original context in what concerns both time and place. The safe and well-known world is turned upside-down by these new and unexpected juxtapositions. Sam Jedig’s point is that this “real world” only exists as long as we, together, maintain and confirm its existence.
The online identity of Boston-based artist Mike Parisella, Slime Sunday’s motion graphics and collages are a view into an alternate reality – where disembodied heads and digital babies play in a sea of saturated color, and endless shapes find joy in repetition.
If trippy, outlandish digital visuals are your thing, then Slime Sunday is a name you need to know.
Los Angeles based artist Chyrum Lambert uses ink, dye, stain, acrylic, wax, epoxy, and oil to create the pieces of his artwork, which he cuts up and layers into these fantastic pieces. Some of the artwork is more abstract while others have a semblance of figures or plant-life, familiar shapes slowly appearing.
Andrés Gamiochipi is a Mexican-born artist that combines cultural and geographical elements within collages that at first glance generate visual impact. Gamiochipi’s work is often influenced by attributes and the cultural environment of his hometown. Through a smile he shows his unconcern to deliver messages with extreme nuances.
With each carefully placed cut, Gamiochipi fills his work with rich textures, shades and patterns, and without fear ensures that his collages express his beliefs and convictions. Gamiochipi produces addictive pieces of art, which demonstrates his ability for reflection and fun in the day to day.
Allan Innman is a painter from Oxford, MS. He graduated from the University of Mississippi in 2006 with a BFA degree in Studio Art with an emphasis in Graphic Design. From 2007-2012 he worked as Visual Resources Specialist in the Department of Art at the University of Mississippi. Allan recently completed the MFA program at The University of Georgia Lamar Dodd School of Art in Drawing and Painting. His current work is based around make-believe and fantasy through the depiction of toys and figurines.
Stefan Gunnesch studied Communication Design and works mainly as a book designer and illustrator. Daemonien is a book project gathering overpainted photographs, collages and acrylic on paper. The pictures show explorations of the body and the ego.
The striking photographs reveal posturing bodies and portraits, but were alienated by radical interventions that made the motifs fragmented and partly illegible. The process of overpainting becomes an egotistical appropriation of the images and questions a new (visual) identity.
Netherlands based Nicola Kloosterman creates collages using scraps of collected paper and fragments of images that speak to her. She is especially interested in shape and color, the female body, hands, botanicals, and vintage printed material. Kloosterman likes to use a lot of negative space and her images are always quite airy and light.
She likes to think of herself as an explorer and a wanderer. Nicola thinks the process of finding images in the torrent of our daily visual communications, carefully excavating them and them recycling them into a new context and narrative is exciting as she never knows where she may end up. Each collage begins with a single image or piece of paper. She then slices, combines, reduces and composes until a new visual narrative emerges on her paper reflecting the incomprehensible, the invisible, the immeasurable and the infinite.