Eva Eun-Sil Han was born in Korea where she lived for 27 years. When she encountered the collages of Max Ernst did she start to use collage as a means of artistic expression. In her work she combines material from any kind of ready-made mass media, such as newspapers, magazines or old books. Eva Han prefers to use knife and glue rather than working with pixels on a computer screen, because it allows her to touch, feel and smell the different source papers. Especially old paper smells good to her.
The artist collages photographs, her own and others, often drawing and painting onto the paper. Many of them seem purely abstract and in most, the assemblage of images is in such bits and pieces they don’t seem meant to be discerned specifically.
Particularly drawn to the home and its residents, Sewanee, Tennessee based Jessica Wohl exploits the uncanny while subverting domestic representations of perfection and happiness. She uses obsession, personification and gothic overtones to convey the idea that looks can be deceiving, and she interprets the family, the posed portrait and the suburban tract home as stages where this unsettling dynamic plays out.
The collage work of Jesse Draxler combines tendencies of immediacy, appropriation and a denial of visual ownership, though with hand-crafted technique. His mixed-media fusion of found images, typography and design sensibilities thrives in information-overload times, both in drawing inspiration as well as being viewed instantaneously. By finding source material from anything, Draxler is able to ‘remix’ fashion spreads as easily as referencing art movements, crafting a new 2-dimensional language that has an immediate accessibility.
Mana Morimoto creates out-of-this-world works of fiber art by embroidering colorful thread onto black and white photographs. Morimoto’s photograph embroidery exists in the “in between,” as her use of colorful fibers transforms vintage and often serious images into vibrant works of art.
According to the artist, she chose embroidery because she always found stitching and weaving therapeutic. She coupled this love for embroidery with a fondness for geometric shapes, resulting in an ever-growing collection of photographs hand-stitched with laser-like elements shooting out of people’s eyes and unnatural geometric objects integrated into various scenes.
Glasgow based Lola Dupré is a multicultural collage artist and illustrator currently working in Portugal. Lola creates surreal and fragmented portraits, she uses multiple prints of the same image in different sizes that are combined in one piece. The collage work is handmade with paper, scissors and glue and the process takes a long time, 20 to 30 hours per image.
Copenhagen, Denmark based Troels Carlsen warps classic anatomical illustrations of natural organisms to produce mixed media works on paper. On a purely visual level, the contrast between the illustrative anatomical drawings and Carlsen’s slightly humorous injections works really nicely holding conceptual tones as well. Carlsen gets his inspiration from the human condition, specifically how art has captured human life over the last few centuries.
Italian graphic designer Giacomo Carmagnola disagrees with the current state of Glitch Art. He shakes up the field by exchanging digital computation with human intuition. Mixing the occult with the emotional with a dedicated eye he is able to abstract and curate sinister images that give you raw phychological thrills when you look at them. Often with an face replaced by bleeding pixels, the entities tell their story miraculously without an mouth or expression.
Madbutt is a Brisbane, Australia based artist who experiments with hand cut and digital collage using mixed media. She uses her laptop when she is travelling and in between hand cut works. She keeps it simple using an application called Pixelmator.
When she is doing hand cut collage she uses an xacto scalpel, archival glue, a ruler, pencil and cutting board. She has used different paints in the past but she feels as though she could have more fun using this medium with larger works. She tries to hold off on using vintage materials until she is 100% sure that she has a great concept to work with.
Wisconsin based artist Annalynn Hammond seeks to question the dichotomies that play in the world of human ideas. She is best known for her unique hand-cut paper collages made from vintage textbooks and natural history magazines. Hammond combines different subject areas including, human and animal, body and soul, mind and machine, culture and nature, purity and sin, power and weakness, and many other antitheses.
Her surreal collages encourage the viewer to ask questions and think about the extremes within the pictures. The single images are undeniably someone else’s work, which were found, stolen, destroyed and appropriated. But a thing in itself has no meaning. The idea of a collage is to cut a special image region out and paste it into another picture, giving a new context to the assembled artwork.