Alexis E. Mabry‘s assemblage paintings, mixed-media collages, and jewelry mix the macabre and the whimsical into a potpourri of lighthearted chaos. Wholesome American families from the 50s laugh while catching on fire, an eager young boy’s head flies off his body like a bloody rocket while opening Christmas presents, a lamb smiles wryly while getting stabbed by a dozen steak knives.
Her sources of reference and artistic material for her collages come from the same types of Christian books of older American life that she was forced to read in elementary school. A change of facial expression or of background scenery could easily transform these works into gruesome horror, but instead they become emblems of humor.
New York-based artist Alexandra Pacula paints large-scale works that explore the dynamic energy of cities at night. With virtuosic brushwork, vibrant color, and fluid gesture, Pacula captures the motion and chaos as well as the sublime beauty of urban space.
Her streets are filled with light that travels almost of its own accord within the compositions, and she has developed a nontraditional style of painting that combines impressionism, expressionism, and photorealism. The resulting paintings ensnare the eye and transport the viewer to another dimension, reminiscent of the fleeting yet mesmerizing moments that take place only in the big city.
Valencia, Spain based Moisés Mahiques‘ large drawings are both technically accomplished as well as being conceptually complex using drawing to question the value system of the individual, of contemporary life, action and consequence and above all the expressive possibilities of the line and figure.
At first glance these drawings are chaotic, a dense network of animated lines that attempt to capture an essence, the figure becoming an anthropomorphic expression of our alienation from the environment. On an aesthetic level Mahiques drawings are beautiful to look at, to peer into, the action dynamic, the line so clean, precise, so definite.
Artist Heeseop Yoon deals with memory and perception within cluttered spaces. Using photographs of interiors such as basements, workshops and storage spaces, Yoon illustrates inch by inch, her organized chaos immense in detail and scale: