Ogden-based Chris Bodily‘s illustrated and cartoon-like works containing beyond-normal children and and an array of creatures and monsters have been a fixture of the local art scene since becoming a professional freelance artist right out of college, earning him a place in several exhibitions.
Bodily’s illustrations are simultaneously raw, funny, messy, cartoonish, and heartbreaking. A big goofy monster holding prescriptions and wanting his heart to be seen with allusions to happiness scribbled on the wall says volumes about the human condition.
Geneva, New York based Jacc Shutter is an aspiring independent artist that has been drawing since he was 2 years old. Jacc mostly uses brush tip prismacolor markers for his pieces and sometimes acrylic paint. He draws most of his inspiration from artists such as Salvador Dali, Keith Haring, and M.C. Escher but also from music by artists like David Bowie or Arctic Monkeys.
New York-based painter David Humphrey works on paper and sculptures defy categorization. He emerged as an artist in the late 1970s along with Postmodernism, an approach that continues to inform his heterogeneous compositions, visual pastiches that, in his words, “erase the breaks” between divergent styles.
In his paintings, this grammar includes gestural abstraction, cartoonish figuration, Pop Art, Surrealism, and Expressionism. His vibrant compositions feature human figures, narrative vignettes, animals, and objects interwoven into abstract passages.
Amandine Urruty lives and works on her bed, with a suit case full of pens always nearby. After studying at University for long years and a brief career in underground music, Amandine spreads her repertoire of beasts and her gallery of weird characters on all kind of mediums, on paper as on walls. As she masters techniques of traditional drawing, Urruty offers us a cheerful gallery of deviant portraits, associating grotesque outfits with baroque decorum which miraculously reconcile lovers of alchemistic symbolism to young ladies with too much make up.
Urruty trusts her instincts and draws inspiration from a wealth of eclectic interests which span the wide gap between high art and pop culture. Revelling in the mystique of her decision making process, she engages in the creation of a unique and personal symbolism, which unveils and unravels itself over the course of time.
PXRN‘s work and colors are a total joy and manage to be supremely odd, but not self-consciously so – a rare treat. His striking color choices slap you round the face, but once your eyes adjust you can’t help but smirk. PXRN tackles the body in ways that are grotesque, twisted and undeniably imaginative.
Working from the heart and driven by the body, Nicole Eisenman explores the human condition in her critically acclaimed, wide-ranging prints, paintings, drawings, and mixed-media works.
“I reflect a certain desire in my work, I want my work to be authentic and reflective of my body, what it’s interested in. The work is nothing if not feeling-based.”
Influenced by Expressionism, Impressionism, and Pablo Picasso, Eisenman populates her works with emotionally resonant, cartoonish figures, formed out of exaggerated, painterly lines and intense colors. Full of pathos and dark humor, they are expressionistic portraits of herself and her friends, or imagined characters based on her critical observations of contemporary life and culture. Whether carousing at a beer garden or lounging dreamily, in groups or alone, Eisenman’s figures seem isolated and contemplative—products of our time, reflections of ourselves.