Bryce Wymer is a director, designer, visual artist, illustrator and musician, currently based out of Brooklyn, New York. Wymer develops, designs, and directs within a variety of platforms, ranging from live action and animation projects to interactive to experiential design. He also operates Flat Earth Studios, a visual arts space specialized in fine art narratives and image making. Check out some of his illustrations and sketches.
Jonathan Chapline is an oil painter and digital artist living in Brooklyn. Each of his scenes look as if its parts have been pixelated and rendered smooth on auto-loop, the remaining shapes melodramatically lit.
He makes art that reflects the transition between interiors and exteriors of the suburban landscape that outwardly conform to societal pressures, and which hint at the reality that exists behind those facades representing the neighborhoods of everyman. The work reveals the contradiction and tension between appearance and reality, giving the viewer an opportunity to consider what subsides beyond and between the veneer of their own life experiences.
Brooklyn-based painter Torey Thornton creates abstract, crudely rendered forms to explore the picture plane as both a spatial field and a medium for conjuring images and sensibilities. Thornton rejects the canvas, instead preferring the textural possibilities of paper, found wood, and slatted panels, all of which serve as the grounds for spray and acrylic paint, as well as collaged objects. His paintings exhibit various influences, from color field and monochrome painting to biomorphic abstractions. Certain elements suggest recognizable forms—cars, the sun—while others are more cryptic, such as the repeated appearance of perpendicular lines.
Brooklyn based Christian Rex Van Minnen‘s paintings are part Old Masters, part mad scientist, part carnival. Classical still life and portraiture are reimagined with sumptuous beauty that paradoxically can be hard to look at. But it is van Minnen’s masterful technique and eye that draw the viewer again to consider that which looks impossible.
“I think it’s interesting to take away the eyes and mouth. In a way it makes it easier on the viewer, myself included. It allows for a more prolonged voyeurism and freedom to explore the figure. Like staring at a blind man.” Christian Rex Van Minnen
Brooklyn based Jules de Balincourt (previously featured here) is a French-American contemporary artist. He is best known for his abstract, atmospheric paintings with saturated colors, blurring the line between fantasy and reality. Force-fed on TV and an all-American mind-junk diet, his paintings are crafted with democratic gusto. Evoking notions of utopia and dystopia, de Balincourt’s paintings investigate public and private spaces and suggest an ever-changing landscape – both physical and psychological.
Nigerian-born, Brooklyn-based artist and designer Olalekan Jeyifous received a Bachelor’s degree in Architecture from Cornell University where his focus of study was primarily on investigating the relevant potential for a variety of computer software within the fields of art, design and architecture.
“Not My Business” is named after a poem by Nigerian poet, dramatist, and literary critic, Niyi Osundare. The title of the exhibition references the fact that Jeyifous has not been back to Nigeria since he left when he was 7 years old.
“Using rigorous Cubist geometric shapes, I freely juxtapose recognizable icons of the informal economy- from street vendors, industrial waste or power generators — with those of the post-Colonial Utopia-orderly State and social infrastructure– to create strange constructions in which time and space collide ambiguously.” Olalekan Jeyifous
Nikki Maloof lives and works in Brooklyn. Jungle animals and exotic vegetation appear frequently in Maloof’s drawings, paintings and collages. Often surrounded by luminous tropical hues, tigers, monkeys and bats can seem either benign or sinister, reticent or theatrical, and adopt an anthropomorphic quality that discloses a sense of the artist’s compassion for her subject matter.
The same lightness of hand with paint, color and line, hints at the somber and dejected aspects of the domestic and quotidian – drooping flowers, in a vase or overcome by rain, and the view, from a distance, of the warmly lit interiors of people’s homes through window panes. Maloof’s works tend toward the familiar yet maintain a level of un-specifiable strangeness that produces their emotive quality.
Brooklyn, New York based illustrator Rebekka Dunlap grew up in the Pacific Northwest, studied at the School of Visual Arts and graduated from the University of Washington with a degree in nihilism. Sometimes she draws comics about the things we feel but can’t explain.
She recently illustrated the indie game Cibele, winner of the IGF Nuovo Award and released her first collection of comics, Dream Tube, through the publisher Youth In Decline. Her experiences include creating online content for Frederator Studios, illustrating apps for TinyBop and making pictures for publications such as The New Yorker, The New York Times, BUST Magazine, BOOM Studios and Lucky Peach. However, she cannot do a cartwheel or curl her tongue.
Brooklyn, New York based Brian Alfred‘s paintings, collages, and animations examine how technology has altered our perception of our surroundings and how we process information. Working from photographs, Alfred uses a computer to reduce images (often of architecture, machinery, urban landscapes, and office interiors) to their essential forms, before turning these elements into flattened, bold color fields that retain a handmade feel.
Brooklyn-based artist Nichole van Beek creates sculpture, installation and works on paper. She begins each painting by dyeing the canvas. Various patterns emerge from these quick applications of pigment—flecks, daubs and radiating blotches.