Santa Rosa, CA based Justin Margitich works with watercolor, colored pencil, and acrylic on paper. Margitich draws from anthropology, taxonomy, geology, and alchemy creating abstract paintings that offer special depth and opposing textures that force the viewer to be engaged.
In each work, brightly hued, organically flowing gradients are arranged in seemingly impossible configurations. Upon close observation, the inorganic plastic qualities of the artists’ materials become apparent to the viewer. Throughout the exhibition, these fluctuations between organic and inorganic are subtle reminders of where we find meaning in the order of our contemporary culture.
Amsterdam based artist Martine Johanna (previously featured here) has a new series of paintings exploring the feeling of impending doom. “Something’s Wrong” will be on display at Massey Lyuben Gallery in New York from May 4 – June 10.
New York City based Erik Carter’s work is both aesthetically provocative and conceptually driven. The graphic designer and art director graduated as a CD major in 2011 and has gone on to work for MTV, The New York Times, andThe Office of Paul Sahre. His book covers and illustrations have received notable recognition in the design world and beyond.
Po Hsu Huang was born in Kaohsiung, Taiwan. After a series of trials and mistakes, Po Hsu Huang started his journey as an independent artist. His paintings focus on the relation between the surroundings and one self, with a significant, colorful and bright manner. The constant changes in life and the warm climate in Southern Taiwan may have had a great impact on the artist.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.
Murals became popular during the Chicano Movement of the 1970’s, when artists began telling their unique stories on walls throughout the Eastside. Chicanos at this time lacked representation in public life, with neither a strong voice in elections, nor elected representatives. Murals became a way to communicate community concerns about police brutality, immigration, drugs, gang violence and other difficulties of a life of poverty.
At the Estrada Courts housing project in Boyle Heights, the walls are time capsules of the Chicano art movement. Mexican-American artists began emblazoning drab cinder-block and stucco walls with brightly colored murals, which represented the dreams, aspirations and cultural pride of a population that might have otherwise felt trapped in their environs.
The streets of Boyle Heights are like an art gallery, with walls that act as canvases. Images of brown pride and indigenous symbols tell stories from the past, and the now faded colors of decades-old murals still brighten the community.
Chicago native Anthony Michael Simon first discovered the artistry of the silk-producing arachnids while trekking through a forest in Korea, where he is currently based, looking for a location for his next sculptural art installation. He came across a huge spiderweb and it somehow clicked in his mind that he could catch spiders and have them naturally spin their webs in his studio.
The artist sprays a protective coating on the fragile webs, holding the network of fine threads together and adding color. The multihued netted structures are each held up by plastic rods, allowing the spectator to view the intricacies of each piece’s intersecting lines. The fluorescent colors also add an otherworldly pop.
Brooklyn-based illustrator Aaron Fernandez is a local artist with a world of talent. His work is retro-fabulous with a modern twist. He was born and raised in Southern California and all of his inspiration comes from the Kustom Kulture and Lowbrow art.
Brooklyn-based artist Erik Parker’s vibrantly colored, eye-popping figurative paintings might not be in lockstep with all the trends of contemporary art, but he couldn’t care less. Parker was born in Stuttgart, Germany but later moved to San Antonio, Texas. Parker attended the University of Texas at Austin with artist Peter Saul before receiving a master of fine art from Purchase College in New York.
Erik is known for his precisely painted and organized worlds of chaos that exist within his brightly colored, intensely layered, highly saturated canvases. Parker’s work depicts unique, fantastical scenes of biomorphic subjects and unworldly landscapes. Parker methodically paints each composition to the optical extreme creating an intense visual experience.His work maintains a premeditated sense of order all the while suggesting an underlying madness through his use of bold and fragmented forms.
Michael Olivo creates artwork over several surfaces of which are always brightly colored, enigmatic and entertaining. In the masses of colorful blobs, tubes, and twisted forms, characters and narratives peek through. Clearly recognizable monsters and animals are sometimes featured in Olivo’s color-saturated drawings. His comic influences are evident with his use of line-art and dynamic black-filled areas.