Brooklyn, New York based Clark Goolsby‘s abstract paintings spring from an interest in how we maintain optimism in a world that is so full of potentially life-ending situations. Goolsby’s imagery often references mortality, the passage of time, and mutable perceptions of space; skulls, body parts, and skeletons are recurring motifs in some of his abstract compositions.
His style is characterized by experiments with hard-edge geometry and surrealism, and is also influenced by classical art history and graffiti. In the late 2000s, Goolsby started incorporating different materials into his acrylic on paper works, including collage elements, pen, pencil, spray paint, and markers. More recently, he has created multimedia sculptural installations with string.
A Husmann/Tschaeni artwork stares you in the face. Under the layers of pinks, greens and blues, you sense movement. As if it is watching your back. Suddenly, you feel yourself being drawn into the art, losing focus. “A hell of positive energy with a small hint of hidden otherworldly darkness mixed with visual poetry and deep sensitive natural beauty. A daily biological presence combined with absurd undefined monstrous fantasy.”
Yellena James grew up and attended art school in Sarajevo, BiH. At the age of 18 she moved to the U.S. After gaining her BA in painting and graphic design at UCF, she eventually made her way to Portland, OR. Preferring pens, inks, markers and acrylics, she combines complex abstract forms into dazzling images which take on lives of their own. Her colorful arrangements of organic shapes and tangled lines are at once floral and alien, organic and sci-fi. Each intimate world she creates seems to posses its own ethos and its own special ability to radiate emotion.
“My latest works further explore the intricate and delicate forms of an imaginary ecosystem, twisting and floating together in an alluring environment. I attempt to create an ethereal place which is hypnotically familiar and yet hauntingly exotic, adding tiny little details in a sort of compulsive meditation, until a perfect balance is created. The intricacy and high detail, along with hints of existing organic shapes lend to the intimacy and believability of each new world.” Yellena James
Portland, Oregon based artist Betsy Walton uses organic and bright colors resulting in delicate and dreamlike images. Her interests include undersea exploration, psychology, mythmaking, and being in the present moment. She shows her paintings in galleries dotted across the United States and abroad.
New York based German artist Erik Parker turned to eye-popping color and dizzying details in his recent paintings. Seemingly in constant motion, his paintings are composed of a myriad of tiny dots, paisleys, teardrops, squiggles, and drips, in a rainbow of bright colors. Parker creates bold, graphic compositions that riff on the traditional genres of portraiture and still-life. His visionary paintings draw their inspiration from diverse elements of American subculture—psychedelia, underground comic books, the Chicago Imagists, hip hop and heavy metal— as well as Picasso, Francis Bacon and Roy Lichtenstein.
Boneface is an illustrator that had a firm grip on what makes himself tick, and then developed his craft. The illustrations of Boneface are bold and rebellious — the nihilistic spittle of a fun-loving vagrant. Boneface’s drawings are bright and detailed in mischievous gore. The attitude of underground skate videos mixed with the winks and shock of an eighth-grader’s homemade comic book.
Tyler Spangler is a designer, visual artist and punk enthusiast from Huntington Beach, California. Through his work, he plays with color and animation, often interposing bright color with aged black and white photos— merging different worlds together and bringing old-fashioned two-dimension photography into the age of color and gifs. He describes his way of working as “a bit obsessive”, at one point creating as many as 2,000 pieces in one year and sharing them.
Santa Rosa, CA based Justin Margitich works with watercolor, colored pencil, and acrylic on paper. Margitich draws from anthropology, taxonomy, geology, and alchemy creating abstract paintings that offer special depth and opposing textures that force the viewer to be engaged.
In each work, brightly hued, organically flowing gradients are arranged in seemingly impossible configurations. Upon close observation, the inorganic plastic qualities of the artists’ materials become apparent to the viewer. Throughout the exhibition, these fluctuations between organic and inorganic are subtle reminders of where we find meaning in the order of our contemporary culture.
Amsterdam based artist Martine Johanna (previously featured here) has a new series of paintings exploring the feeling of impending doom. “Something’s Wrong” will be on display at Massey Lyuben Gallery in New York from May 4 – June 10.
New York City based Erik Carter’s work is both aesthetically provocative and conceptually driven. The graphic designer and art director graduated as a CD major in 2011 and has gone on to work for MTV, The New York Times, andThe Office of Paul Sahre. His book covers and illustrations have received notable recognition in the design world and beyond.