BOTANICAL DINOSAURS BY CHRIS RODLEY

by Ariadna Zierold

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Artist Chris Rodley used a deep learning algorithm to merge a book of dinosaurs with a book of flower paintings. The images were generated with an online service called DeepArt that lets you upload a “target” image and then apply a visual style to it. For step one he fed the network images of common dinosaurs and then applied the styles of 19th-century fruit engravings and botanical illustrations.

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BOTANICAL SCULPTURES BY HITOMI HOSONO

by Ariadna Zierold

hitomi hosono, ceramic, sculpture, uk, botanical, nature, leafs, intricate, monochromatic, porcelain, chiseled, upper playground

UK based Hitomi Hosono is a ceramic sculptor who studied pottery in Kanazawa, Japan and Copenhagen, Denmark. Ever since then she’s studied the botanical forms of leaves and flowers she found in her garden. She allows herself to be consumed by the legion of small, intricate details present in every leaf.

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Often monochromatic, the works are focused on carved detail rather than color—repetition of form making each piece uniquely beautiful. The level of detail she’s able to wrestle from her porcelain sculptures is astounding. Every fragment of her botanical-inspired forms screams with intention, whether it’s in the finely-chiseled and painstakingly-researched anatomy of the plant or the mesmerizing colors of her glazes, which make the forms look equally organic whether they’re in cream and orange or black.

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WANDERING COLLAGES BY NICOLA KLOOSTERMAN

by Ariadna Zierold

nicola kloosterman, collage, shape, color, botanical, anatomy, vintage, printed, composition, surreal, netherlands, upper playground

Netherlands based Nicola Kloosterman creates collages using scraps of collected paper and fragments of images that speak to her. She is especially interested in shape and color, the female body, hands, botanicals, and vintage printed material. Kloosterman likes to use a lot of negative space and her images are always quite airy and light.

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She likes to think of herself as an explorer and a wanderer. Nicola thinks the process of finding images in the torrent of our daily visual communications, carefully excavating them and them recycling them into a new context and narrative is exciting as she never knows where she may end up. Each collage begins with a single image or piece of paper. She then slices, combines, reduces and composes until a new visual narrative emerges on her paper reflecting the incomprehensible, the invisible, the immeasurable and the infinite.

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INTRICATELY DETAILED BOTANICAL-SCAPES BY NICOMI NIX TURNER

by Ariadna Zierold

nicomi nix turner, botanical, symbolism, biological, nature, alchemy, animals, skull, graphite, illustration, drawing, monochromatic, upper playground

San Francisco based illustrator Nicomi Nix Turner is recognized for her intricately detailed botanical-scapes, esoteric symbolism, provocative renderings. She conjures up intricate images which explore biological phenomena and subjects revolving around the arcane.

nicomi nix turner, botanical, symbolism, biological, nature, alchemy, animals, skull, graphite, illustration, drawing, monochromatic, upper playground

Combining her love of nature with a deep fascination for ancient practices belonging to belief systems such as alchemy and religion, Turner constructs narratives within her work which allude to themes of regrowth, biological deconstructionism and the power of belief.

nicomi nix turner, botanical, symbolism, biological, nature, alchemy, animals, skull, graphite, illustration, drawing, monochromatic, upper playground

Her works are created using graphite on paper in a way that has been described as a rare talent for manipulating and “painting” with the basic medium.

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COMPUTER-GENERATED FLOWERS BY MACOTO MURAYAMA

by Ariadna Zierold

macoto murayama, botanical, studies, illustration, computer generated, scientific, flower, upper playground

In the spirit of Darwin’s botanical studies, Japanese artist Macoto Murayama attempts to unlock the beauty and genetics of flowers in his incredible computer-generated illustrations.

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With scientific precision, he maps out their organic structures, first beginning with studies from real specimens like sun flowers and Yoshino cherry, which he dissects with a scalpel and observes with a magnifying glass, then sketches and photographs, and finally recreates in 3ds Max (3DCG software) and Photoshop. Each digital illustration is scrutinized and labeled with details like the plant’s measurements, parts names, and scale.

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