Luboš Plný is the only child of a possessive mother. Already as a child he was drawn to two phenomena : graphic art and anatomy. He used to dissect dead animals and in adulthood attended a number of autopsies on human corpses and passed a course in gravedigging.
After leaving elementary school he went into apprenticeship to learn electro-mechanics. There, as a boarder, he was subjected to a semi-military regime. He also had problems maintaining discipline during his military service, which resulted in his transfer to a psychiatric clinic. Consequently he began an intensive study of psychiatric and medical literature. After 1989 he became a model at the Academy of Fine Arts. Luboš Plný signs all his works with a special stamp “Luboš Plný – academic model“.
His works in ink, reworked with acrylic, often contain organic materials : blood, hair, pieces of skin and even teeth. Its main theme is the body, that he explores in anatomical sections with multiple points of view. Despite a realistic precision, he sometimes decides to exclude certain parties, but always pays great attention to the head and genitals. The absence of thyroid on some drawings – a surgery he underwent recently – indicates that we might be in the presence of self-portraits.
The Pittsburgh Steelers will not be messing around before their game against the New York Jets in the AFC Championship game this Sunday. They are getting Wiz Khalifa to play his anthem, “Black and Yellow” before kickoff. Although we are rooting for the Jets, this will get the blood going…
This is sort of an amazing invention. The Sonamba, a “standalone all-in-one in-home monitoring system that makes it easy for seniors to connect with long-distance caregivers.” It only costs $459 with the monthly subscription charge of $39. Seriously, if you live far away from your parents but know that they need to take their blood pressure medication, this is the way to go.
She sat silent for 700 hours, and now Marina Abramovic’s newest installation/performance piece has her enacting her own funeral. When Abramovic did her 700 silent hours at the MoMA this summer, she said of the piece:
To be a performance artist, you have to hate theatre,” she replied. “Theatre is fake… The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.”