Edoardo Tresoldi is an Italian sculptor. He makes near-transparent sculptures using wire mesh, and often positions them in public places. Using his signature wire mesh material, Tresoldi has sculpts landscapes of monumental architectural objects that engage with natural elements. Classical typologies — like colossal columns and dramatic domes — interact with modernist geometries, blending two worlds that exist in both harmony and contrast.
Paolo del Toro‘s (previously featured here) heads he’s making now are sculpted foam with needle felt features, “a painstaking process” that can take months to complete. He’s been working on his biggest piece so far: the head of a woman wearing a crown of flowers covered in insects, with a toad in her mouth. “It’s a goddess figure of life and death, inspired by religious sculptures from traditionally patriarchal religions, but subverts that imagery to address matriarchal themes found in witchcraft and paganism.”
Liu Di believes that “by violating the rules of common sense, we can break the hypnotic trance induced by familiar reality.” Liu uses digitally manipulated photographs to investigate the friction between the natural world and urban residents in China.
His series “Animal Regulation” (2010) features a suite of exaggeratedly large and cartoon-like wild animals, like the giant rabbit in Animal Regulation No. 7, sitting in the midst of destroyed landscapes of residential neighborhoods. He explains that these works look at a mutually destructive relationship through ruins of both human and animal living spaces. Liu first conceived of the project while navigating the crowded suburbs of Beijing, where he has been based since his graduation from the Central Academy of Fine Arts.