Brooklyn-based artist Jean-Pierre Roy treceived his MFA from the New York Academy of Art in 2002 and was awarded a one-year fellowship from the school. Since 2003, Jean-Pierre has had five solo exhibitions in New York and abroad. He has participated in numerous group exhibitions in the US and Europe and has had solo museum exhibitions at the Torrence Museum of Art in Los Angeles and the Virginia Museum of Contemporary Art in Virginia Beach.
Jean-Pierre’s work is imaginative, powerful and at times apocalyptic. His powerful images explore the vastness of nature and leave you feeling insignificant to the world he depicts. In his paintings, colossal figures battle out Roy’s own, personal demons and existensial questions.
Sydney-based artist Max Prentis’ style is based upon detail and a strong emphasis on visual storytelling. Machines, isolated figures and not to distant wastelands are a common reoccurring subject in Max’s work.
Prentis’ technique is unique in the way he can apply his style to a variety of tones. His body of work is one that varies from playful to aggressive, and realistic to fantastical.
The grotesque and the mystical provide the subject-matter for the majority of Berlin-based artist Jonas Burgert’s work. Bold, sensuous and opulent, the atmosphere in his paintings is of a world of destruction and decay. Working in luminous colors glowing amidst a backdrop of pale hues, the artist depicts an apocalyptic mood of an end time, visions of a netherworld, an unknown myth or a peculiar dream.
His works describe the inexhaustible theatre play that Burgert considers to be human existence: man’s need to make sense of his purpose in life. It is a quest that seems inconclusive, but which opens doors to every sphere of reasoning, imagination and desire.
Photographer Lori Nix is doing some really cool stuff. She creates strangely proportioned land and cityscapes to photograph. The scenes she creates are really amazing sculptures in themselves. She does not manipulate the images post photo at all. These post apocalyptic scenes capture both a sense of anxiety and comedy at the same time.
Let’s say the world really ends in 2012 and we are all flung into an alternate reality. One destination could be the canvases of Utah-based artist Ricky Allman that incorporate the apocalyptic sentiments wafting through the air of his mountainous childhood milieu. Overbearing skyscrapers encrust diminishing icy mountain ranges and outbursts of color and shards of futuristic elements pierce serenity and balance.