Geriko, the Franco-Belgian creative duo of Hélène Jeudy and Antoine Caëcke, creates cinematic animations bound to make your jaw drop. The Paris-based pair come from a background in graphic design, illustration and animation, working both individually for a number of years before establishing their collective identity and aesthetic.
Geriko’s graphic style, influenced by Japanese manga and anime and Belgian comic book art, is created in a combination of 2D, 3D and traditional animation.
Alexandre Diboine is a 21-year-old French concept artist, self-taught in illustration. After taking 3-D classes for a year and a half in Paris, Diboine realized it was something he didn’t enjoy, and returned to 2-D illustration. His current goal is to work at Pixar Animation, Walt Disney Animation, or LAIKA. Diboine’s art is cheerful and vibrant. Like Moebius, 90s anime and Disney got together to make amazing pictures.
Ha Gyung Lee (aka NAKI) is a Korean born illustrator who graduated from Art Center College of Design with a BFA in illustration. She specializes in both traditional and digital mediums, creating complex – but elegant – line based artwork.
Her pieces combine themes of mysticism inspired by anime and Japanese culture with an air of solemnity, arranged into striking compositions often accentuated with plants from the memories of her grandmother’s garden.
Aya Takano is a member of the Japanese Superflat movement. Born in Saitama, Japan, Takano spent most of her childhood reading science fiction books and magazines in her father’s library. Fascinated by the exotic animals and landforms, Takano turned them into the themes of her futuristic artworks. Osamu Tezuka’s sci-fi manga also had a lasting impact on Takano’s dreamy perceptions of the world.
Kevin Hong is an Illustrator born and raised in New York. His work draws from his passion for anime, manga, comics, JRPGs, video games, woodblock prints, and the internet. He graduated with a BFA in Illustration from the School of Visual Arts in 2015. With his work, Hong leads us into a magical world populated with fantastic creatures and haunting spirits, sometime reminding the poetic universe of Hayao Miyazaki.
Working mostly in ballpoint pen, Shohei Otomo’s insightful depictions of Japan expose both its commercial facade and deepest underground culture. Delivered with an unmistakable level of biting political analysis and technical perfection, Shohei’s work straddles the worlds of art, graphic design, anime and punk.