Beijing, China-based Yang Maoyuan is well known for his large and diverse body of work encompassing painting, sculpture, photography and installation. He often explores the shapes and misshapes of human and animal bodies. His spherical horses and other bloated animals are widely known.
Masao Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme.
Kinoshita’s sculptures stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land.
Xavier Veilhan is a French artist living in Paris. His work includes photography, sculpture, film, painting and installation art. Concerned with the scenography of a dedicated presentation, Veilhan addresses issues of perception as well as the physical and temporal relationships created within the context of the exhibition format. Check out his geometric sculptures that resemble low polygon 3D renderings.
Crystal Morey (previously featured here) takes inspirations from an alternative upbringing where she closely connected with the natural landscape around her. Living in rural Northern California shaped her perspective on nature and how humans interact with land, animals and each other.
Now living in an urban environment, Morey aims to show our relationship to the world around us through the fragile medium of porcelain. With this delicate material she creates a heightened sense of urgency and stress, commenting on our human evolutionary path.
Houston, Texas based Ana María, “Anamarietta” was born and raised in Barranquitas, an agricultural town in the center of the Island of Puerto Rico. Ana studied Animal Sciences at the University of Puerto Rico Mayaguez Campus and graduated in 2005. Known by the local art scene for her Humanoid creatures, Ana’s work has been recognized in multiple cities for the subtle brush stroke and shading of characters that seemed to be taken from a dream of a Biologist with excessive imagination.
Miami and New York based artist Juan Travieso‘s work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.
His paintings involve images ranging from Soviet propaganda and cartoons, to the iconic figures of the Cuban revolution. Woven inside is the personal and how these personal and cultural icons are in constant conflict and transformation. Ambitious and daring are qualities in the very flesh of his work. Travieso is a dynamic maker he approaches painting with great appetite and produces a feast for the eyes and mind.
Groningen, Netherlands based artist Joram Roukes‘ energetic canvases have an incredible liveliness that draws us into each surreal world that he constructs. He works in predominantly large scale oil paintings that are reflections of everyday life situations, observed, filtered and reassembled in a collage like way. The resulted paintings pose a fragmented yet cohesive view on today’s society and human behaviour.
Nick Sheehy is an Australian-born artist and illustrator living in London. After studying bronze sculpture in the wilds of Tasmania, Nick gave up on art only to re-discover his love of drawing whilst living in London, sparked by an interest in the city’s low brow art, illustration, street art, and graffiti. In his work, Nick explores the dreamlike, sometimes semi-autobiographical scenes and oddball characters that echo from his childhood imagination. Employing a laborious technique, building up layers of texture and thin color, his work infuses precision and attention to detail with random abstraction and clumsiness.
Madeline von Foerster uses a five century-old mixed technique of oil and egg tempera, developed by the Flemish Renaissance Masters. Although linked stylistically to the past, her paintings are passionately relevant to the present, as such timely themes as deforestation, endangered species, and war find expression in her work.