GEOMETRY ON OUTDOOR SETTINGS BY ANDREW FARIS

by Ariadna Zierold

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American artist Andrew Faris uses acrylic paint on canvas to render minimalist, abstract artworks, then sets them within rural outdoor settings and photographs the outcome.

andrew faris, geometric, colorful, painting, bold, photography, outdoors, abstract, portals, upper playground

Juxtaposed against cool panoramas, Faris’ paintings seem like portals to a digital world. Recalling the geometric abstraction of Frank Stella, the bold, colorful pieces sharply contrast their serene and snowy settings, tricking the eye into thinking they’re virtually fabricated.

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“BETWEEN THE LINES” GROUP SHOW CURATED BY ROM LEVY

the mine, between the lines, rom levy, andrew schoultz, kenton parker, retna, andrew faris, paul insect, bast, el seed, jenny sharaf, word to mother, exhibition, upper playground

The Mine is pleased to announce ‘Between The Lines’ an urban contemporary group show curated by Rom Levy, featuring Andrew Schoultz, Kenton Parker, RETNA, Andrew Faris, Paul Insect, BAST, eL Seed, Jenny Sharaf and Word to Mother.

the mine, between the lines, rom levy, andrew schoultz, kenton parker, retna, andrew faris, paul insect, bast, el seed, jenny sharaf, word to mother, exhibition, upper playground

Since people first began painting on cave walls, the line has been the simplest element of art. As a mode of mark marking it doesn’t remain static, but holds an infinite potential—of velocity, of direction, of connection, of form. Against the noise of today’s overly decorative urban art scene, then, it makes sense to return back to where it all began: to the purity of line.

the mine, between the lines, rom levy, andrew schoultz, kenton parker, retna, andrew faris, paul insect, bast, el seed, jenny sharaf, word to mother, exhibition, upper playground

The line is at once a road and a horizon. Between the Lines considers the space in between. Bringing together an international group of artists, it surveys the landscape of a movement that started in the grimy backstreets of Paris, London, New York, and LA but has since exploded to become a worldwide phenomenon. Today the lines between contemporary art and what was once called street art are increasingly blurred and difficult to distinguish. The lineup includes heavy hitters and fresh new blood alike. Despite their humble beginnings—and very often an aversion to getting sucked into the commercial art machine—many of these artists have been welcomed intupper echelons of the art world—its fairs, auctions, as well as its museums and other institutions.

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via StreetArtNews.