Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.
“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui
Colombian illustrator Juan Osorno’s surreal astro-anatomical illustrations are not only an expression of the imagination but of the very experience of drawing. Faces that cave into landscapes and galaxies, anatomically precise studies of a hand that spill into a cascade of blood vein-like roots.
Osorno’s work is imbued with the scientific precision of botanical drawings and an almost mathematical examination of perspective and space within the two-dimensional paper palette. The combination of beautiful natural elements like geometric shapes, constellations and the human body make very interesting images, showing a deeper, more emotional, layer than the images you find in anatomical books.
Born in Brighton in 1989, Emma Hopkins studied at Brighton and Hove City College from 2005 to 2007, thereafter she went on to study at the University of London from 2007 to 2010, where she was trained in the special art of prosthetics for performance. Since then, Hopkins has studied Drawing the Human Anatomy at The Royal Drawing School, London, in 2015. She now lives and works in London.
Based upon her understanding and knowledge of the human anatomy, Hopkins allows parts of her work to revel in the deep analysis of concrete substance; skin, flesh, and bones. By focusing on the parts of the body that we use most to express our thoughts and feelings – the face, hands, and eyes – she simultaneously allows her work to flow freely in between as if the blood is feeding oxygen to a preserved life force.
Luboš Plný is the only child of a possessive mother. Already as a child he was drawn to two phenomena : graphic art and anatomy. He used to dissect dead animals and in adulthood attended a number of autopsies on human corpses and passed a course in gravedigging.
After leaving elementary school he went into apprenticeship to learn electro-mechanics. There, as a boarder, he was subjected to a semi-military regime. He also had problems maintaining discipline during his military service, which resulted in his transfer to a psychiatric clinic. Consequently he began an intensive study of psychiatric and medical literature. After 1989 he became a model at the Academy of Fine Arts. Luboš Plný signs all his works with a special stamp “Luboš Plný – academic model“.
His works in ink, reworked with acrylic, often contain organic materials : blood, hair, pieces of skin and even teeth. Its main theme is the body, that he explores in anatomical sections with multiple points of view. Despite a realistic precision, he sometimes decides to exclude certain parties, but always pays great attention to the head and genitals. The absence of thyroid on some drawings – a surgery he underwent recently – indicates that we might be in the presence of self-portraits.
Anthony Baus is from Racine, WI. He received his BFA from the University of Wisconsin Milwaukee. He later moved to Chicago and apprenticed under Eric J. Nordstrom, owner of Bldg 51 museum. The museum hosts a collection of historically important American architectural artifacts from such notable architects as Louis Sullivan and Frank Lloyd Wright, exposing Anthony to an unwavering appreciation of the past. In 2010 he began study at Grand Central Academy. He is the recipient of the 2015 Alma Schapiro Prize and currently instructor of GCA’s perspective/design studio.
Tehran-based artist Salman Khoshroo creates large-scale figures and portraits that practically drip from the canvas. Most of these pieces are several feet tall, composed of enormously precise strokes that veer toward abstraction while eventually leading to a cohesive figure.
Working in his studio in Tehran with a large palette knife to spread oil colors directly on the canvas, Khoshroo’s paintings harness figurative abstraction to evince very concise figures of emotional tension. Beginning with portraits of people he knew, his style evolved from one based on realism to one that draws from abstract art, expressionism and fauvism.
His interest in painting the human face is twofold, both as a conduit of human emotions, made all the more pertinent in his home country where women have to cover up the rest of their bodies; as well as an expression of identity and self-presentation in the age of Facebook.
San Francisco based Sandra Yagi, whose art examines the human psyche, is influenced by nature and science, all done with classical aesthetics.
Contemporary culture, human folly and an obsessive curiosity for the macabre provide the fuel for Yagi’s subject matter. Her work is inspired by the natural sciences as well as by the classical drawing techniques of the old masters, including anatomical studies by artists such as Andreas Vesalius and Bernhard Siegfried Albinus. Yagi’s recent paintings incorporate anatomical imagery to explore the human psychological condition, such as cutaway skulls portraying our basic human drives and the thin veneer of humanity overlaying our animal nature.
Vesna Jovanovic is a Chicago-based visual artist who specializes in conceptualizations of the human body. Using spilled ink as groundwork, she creates drawings that often formally resemble medical illustration while concentrating on what is usually left out: how it feels and what it means to have a body.
With drawing as a bodily act and medical illustration as a visual trope, Jovanovic brings embodiment, biopolitics, phenomenology, and various other ideas and theories of the human body into her work.
Portland-based artist Samantha Wall works with divergent emotions in her haunting art. Originally from Seoul, South Korea, Samantha immigrated to the United States as a child. She received her BFA from The University of South Carolina, Columbia, SC, and her MFA from Pacific Northwest College of Art, Portland, OR. Her work has been featured in both solo and group exhibitions regionally and nationally.
Karlsruhe, Germany based artist Hirofumi Fujiwara was born in Hiroshima, Japan. His sculptures in clay and plastic are looking aimlessly, yet awake and openly towards the viewer. In inconspicuous clothing, which Fujiwara has carefully painted, they appear contemporary. The transparent plastic tubes lull the figures partially or completely into pensive sleep and let their contours disappear, blurred behind virtual foam.
Hirofumi Fujiwara graduated in 2009 from the Okayama Prefectural University, Soja-shi, Okayama in Japan with a Bachelor of Arts. Since 2010 he has been studying at the Karlsruhe Academy of Fine Arts. In Japan his work has been exhibited in galleries, museums and cultural institutions.