Self-taught French artist Lou Ros launched his career on the streets of Paris at the tender age of 17 when he would go around tagging walls and creating bespoke graffiti art. Today, he’s exhibiting his paintings all across the world and has made a solid reputation for himself amongst the global art community. His art represents the visible and not so visible worlds. With paint brush in his hands colors fly, dance and rejoice with pleasure and passion.
“Through the colors, brush strokes, composition, background and rhythm of the painting, I attempt to create works which truly represent bodies in a space without distortion. Without having a clear idea of the final result, I stop my work before it seems finished. The moment where little is enough to suggest the structure interests me, leaving the spectator’s imagination open at the moment the scene is starting to appear. Knowing when to stop before saying too much is what I tried to do.” Lou Ros
Surface often provides the dominant metaphor in the work of Sally Bourke and more recently this has turned towards thinking about the nature of fabric and its relationship to skin with its capacity to project an image of self and to protect at one and the same time.
The faces and scenes she portrays in her work are attempts to make reconciliations with her past, live in the present and imagine the future. She paints people from the inside out. At any given moment she is working on around ten to twenty paintings at a time in the studio. That way she can sit with them and see which demands her attention the most. She works across multiple mediums and is constantly experimenting with them to create new ways of telling her stories.
Samuel Bassett studied at Falmouth University and The Arts Institute Bournemouth. He currently works from studio space in the recently renovated prestigious Porthmeor Studios in St Ives. Bassett is an artist with boundless energy enthusiasm and has an integral and honest art language where he displays a scattered image of his inner monologue, mapping a truly active mind searching for the meaning of life.
New York-based painter David Humphrey works on paper and sculptures defy categorization. He emerged as an artist in the late 1970s along with Postmodernism, an approach that continues to inform his heterogeneous compositions, visual pastiches that, in his words, “erase the breaks” between divergent styles.
In his paintings, this grammar includes gestural abstraction, cartoonish figuration, Pop Art, Surrealism, and Expressionism. His vibrant compositions feature human figures, narrative vignettes, animals, and objects interwoven into abstract passages.
Tehran-based artist Salman Khoshroo creates large-scale figures and portraits that practically drip from the canvas. Most of these pieces are several feet tall, composed of enormously precise strokes that veer toward abstraction while eventually leading to a cohesive figure.
Working in his studio in Tehran with a large palette knife to spread oil colors directly on the canvas, Khoshroo’s paintings harness figurative abstraction to evince very concise figures of emotional tension. Beginning with portraits of people he knew, his style evolved from one based on realism to one that draws from abstract art, expressionism and fauvism.
His interest in painting the human face is twofold, both as a conduit of human emotions, made all the more pertinent in his home country where women have to cover up the rest of their bodies; as well as an expression of identity and self-presentation in the age of Facebook.
Sam Green has been working as an illustrator for 10 years since he graduated from his Masters at Central St Martins in London. Sam embraces analogue and digital methods when creating illustrations, combining a unique skill set to create striking images that make use of detailed realism and playful abstraction.
Paris-based art director and illustrator Inès Longevial creates lots of fantastic work across many mediums, but mostly paintings. Inès focuses on using mostly blocked out colors to create her pop inspired pieces that successfully draw the viewer’s eye in deeper and deeper. She describes herself as an artist of dissimulation.
Juan Travieso is an artist based in Miami and New York. His work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.
Morgan Blair grew up in rural Massachusetts, graduated from RISD in 2008, and lives and works in Brooklyn, NY. Her recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles.
The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.
An illustrator and creative design artist, Ray Oranges combines retro color palettes with abstract geometric shapes. The absence of cluttering matter, enhanced by the mastery use of long shadows and bursts of light creates an emotional response in the viewer.
The skilful use of full and empty spaces within the composition, with a predominance of the latter, is open territory for the viewer to fill the space with feelings and experiences; Ray aims at creating a meaningful dialogue with the viewer rather than establishing a relationship of command.