Brooklyn based Jules de Balincourt (previously featured here) is a French-American contemporary artist. He is best known for his abstract, atmospheric paintings with saturated colors, blurring the line between fantasy and reality. Force-fed on TV and an all-American mind-junk diet, his paintings are crafted with democratic gusto. Evoking notions of utopia and dystopia, de Balincourt’s paintings investigate public and private spaces and suggest an ever-changing landscape – both physical and psychological.
Santa Rosa, CA based Justin Margitich works with watercolor, colored pencil, and acrylic on paper. Margitich draws from anthropology, taxonomy, geology, and alchemy creating abstract paintings that offer special depth and opposing textures that force the viewer to be engaged.
In each work, brightly hued, organically flowing gradients are arranged in seemingly impossible configurations. Upon close observation, the inorganic plastic qualities of the artists’ materials become apparent to the viewer. Throughout the exhibition, these fluctuations between organic and inorganic are subtle reminders of where we find meaning in the order of our contemporary culture.
Jan Kaláb was born 1978 in Czechoslovakia, at a time when the Iron Curtain still existed and graffiti was a rare sight in the Eastern World. Luckily for us, with the fall of the Iron Curtain, Jan Kaláb was able to fall into the world of graffiti and street art, developing his unique style within the iconic street art crew DSK.
Starting off as a founder of the DSK crew he made a name for himself throughout Europe as “Cakes”. Later on, he decided to broaden his horizon and move to New York where he changed his name to “Point” and started creating huge sculpted abstract letters which he chose to put up in the streets and on walls. He thereby created another form of graffiti without a spray can, but truthful to the spirit of competition and innovation of the urban scene. He uses colorful squares and circles as his vocabulary for infinite variations around depth, time, and motion.
New York City based Mike Lee’s (previously featured here) graphite drawings contemplate the duality between artificiality and realism by taking everyday normalcies (figures, objects and settings) and working them into their most simplistic forms. Small subjects surrounded by vast white spaces, Lee’s drawings represent fleeting moments in a large world.
New York based artist Anne Vieux works with the idea of mediation and gesture through the lens of the screen, in painting, video, and sculpture. Vieux’s abstract paintings emerge out of real objects captured through a digital process manipulated by hand. Vernacular materials evoke familiarity while computed color fields create an otherworldly aspect.
The paintings and installations of Hendrik Zimmer are influenced by the Internet’s impact on culture at large and its distribution. Belonging to the post-internet art generation and experiencing the changes brought from a long-since digital age and the network ideology, Zimmer develops his paintings concerned particularly with their materiality and their ways of presentation and dissemination in the physical and digital space.
Zimmer’s décollage paintings reconcile figurative elements in form of a photographic image taken from a poster or magazine and the expressionist abstract painted gestures. Most of the times the elements are parts of human figures, faces, hands or other parts of the body and fully integrated in the composition.
London based artist Katja Angeli creates poised collages of simplicity and wonderment. Katja’s subtle artworks have gained her a selection for Bloomberg New Contemporaries, as well as being awarded the prestigious Clifford Chance Purchase Prize. Interfering with the digital, Katja’s practice uses traditional hand-made assemblage techniques with digital mark making, printing onto Japanese paper.
“Recently I have been examining ways of deconstructing the digital imprint, reflecting on the relationship between the digital and physical. The digital artwork eradicates the trace of the hand for an image that seems almost too perfect.” Katja Angeli
Kansas City, Missouri based Jaime Rovenstine’s geometric shapes are married with landscapes that look like they’re from another planet shrouded in dots. Her paintings are most inspired by natural organisms and biospheres. She has come to see her paintings as small windows into some sort of dream-world. Some paintings feel like they’re underwater, some out in space, some in the mountains.
Misato Suzuki currently lives and works in Los Angeles, CA. Her delicate, abstract style integrates organic form and recognizable forms. She combines the use of unique mediums such as coffee and walnut ink onto her canvas, creating a unique conversation between colors and depths.
Arne Quinze is a Belgian conceptual artist best known for his unconventional and controversial public art installations. Quinze also creates large and small sculptures, drawings, and paintings. In his late teens, he started out as a graffiti artist in Brussels, and he never completed a formal art education.
In every culture Quinze comes across, he unravels physical processes, drawing inspiration for his oeuvre, and is fueled by overwhelming optimism. Every new creative breed captures his research and study on interaction, and urban movement expressing the continuously evolution of human beings and their surroundings. Besides building architectural sculptures, he creates complex art pieces and video installations inscribing his vision in society of how people see themselves and society.