Klone currently lives and works in Tel Aviv, Israel. Influenced by his childhood emigration from the Ukraine to Israel, Klone’s initial practice of tagging and graffiti were personal challenges to themes of diaspora. This urban tradition allowed him to take ownership of his surrounding and localize an often hostile and alienating environment, making his foreign settings, more familiar.
Using characters, symbols, and regional iconography Klone’s work borrows from existing linguistic traditions in hope of providing a bridge to communicate. This organic approach appeals in its attempt at universality without erasure, without requiring a blank slate mentality. Each installation and drawing, attempts to create an environment that will connect with the observers primal feeling, placing him or her as part of the setting and context of the work.
Valencia, Spain based Moisés Mahiques‘ large drawings are both technically accomplished as well as being conceptually complex using drawing to question the value system of the individual, of contemporary life, action and consequence and above all the expressive possibilities of the line and figure.
At first glance these drawings are chaotic, a dense network of animated lines that attempt to capture an essence, the figure becoming an anthropomorphic expression of our alienation from the environment. On an aesthetic level Mahiques drawings are beautiful to look at, to peer into, the action dynamic, the line so clean, precise, so definite.
Hillary White Rabbit is a Belfast, Maine native, born from the salty depths of a bubbling cauldron overflowing with ’80s pop culture, classical art, and Alice in Wonderland. She spends most of her time painting classical art and pop culture mash-ups, and designing T-shirts.
Misato Suzuki currently lives and works in Los Angeles, CA. Her delicate, abstract style integrates organic form and recognizable forms. She combines the use of unique mediums such as coffee and walnut ink onto her canvas, creating a unique conversation between colors and depths.
Rotterdam, Netherlands based Milou Maass’ work seems delicate, yet powerful. Characterized by fashion, hair textures, realism and surrealism, organic and geometric shapes, she manages to create intense illustrations. Maass mainly draws with pen and pencil, and has become more and more interested in typography, integrating her new passion into her more recent work.
Lima, Peru based artist Ana Teresa Barboza creates landscapes and other imagery that exists in the space between tapestry and sculpture using embroidery, yarn, and wool. Emulating the flow of waves or grass, each piece breaks out of its embroidery hoop and tumbles down the wall upon which it is being displayed.
“Both embroidery and crocheting are techniques that require time. I use these techniques in order to make a connection between manual work and the processes of nature; creating thread structures similar to the structures that make a plant for example.” Ana Teresa Barboza
Eva Eun-Sil Han was born in Korea where she lived for 27 years. When she encountered the collages of Max Ernst did she start to use collage as a means of artistic expression. In her work she combines material from any kind of ready-made mass media, such as newspapers, magazines or old books. Eva Han prefers to use knife and glue rather than working with pixels on a computer screen, because it allows her to touch, feel and smell the different source papers. Especially old paper smells good to her.
The artist collages photographs, her own and others, often drawing and painting onto the paper. Many of them seem purely abstract and in most, the assemblage of images is in such bits and pieces they don’t seem meant to be discerned specifically.
Particularly drawn to the home and its residents, Sewanee, Tennessee based Jessica Wohl exploits the uncanny while subverting domestic representations of perfection and happiness. She uses obsession, personification and gothic overtones to convey the idea that looks can be deceiving, and she interprets the family, the posed portrait and the suburban tract home as stages where this unsettling dynamic plays out.
New York City based Erik Carter’s work is both aesthetically provocative and conceptually driven. The graphic designer and art director graduated as a CD major in 2011 and has gone on to work for MTV, The New York Times, andThe Office of Paul Sahre. His book covers and illustrations have received notable recognition in the design world and beyond.