Throughout his career, John Kacere devoted his attention almost solely to idealized and highly sexualized depictions of the midsections of the female body, clothed in revealing lingerie. Originally an Abstract Expressionist, Kacere adopted a photorealist style from the 1960s onwards, although he rejected the term as a description of his work. His larger-than-life images of the female form—usually lying on their sides in a horizontal picture plane—have drawn criticism from feminists, prompting Kacere to reply: “Woman is the source of all life; the source of regeneration. My work praises that aspect of womanhood.”
Tel-Aviv based illustrator, animator and avid doodler Ori Toor (previously featured here) deals mostly with experimental 2d animation and obsessively drawing heaps of noodly landscapes and shapes. He never sketches or plans ahead, instead he improvises. The slightly darker undertones to Ori’s work are emulated by the shadowy color palette of changeable purples and blues.
Prague, Czech Republic based Romanian artist Ion Barladeanu spent most of his years in the 60’s living on the outskirts of society, depending on other men’s trash and surviving cold nights behind garbage bins. In his spare time, Ion would create amazing pieces that can be described as a mix of Pop art, Surrealism and Dadaism. The hermit-like artist had always kept his work under wraps for a number of reasons. Firstly, he had no one in particular to show it to, and secondly, its often biting political nature meant that while the communist regime held sway in Romania, it had to remain clandestine.
Today we can all enjoy his pieces. Barladeanu sees his works as miniature movies, the act of assembling clipped-out artwork on hand-painted backgrounds akin to the roles of screenwriter and director. While many of his works are infused with comedy or light-hearted satire, others are the stuff of subversive film noir.
Brazil based collective duoUinverso is a collaboration between Nadiuska and Priscila Furtado. The name is a play on the Portuguese words that mean ‘the inverse’ and ‘the universe’. The pair are multidisciplinary designers with experience in editorial and graphic design, and their main output is illustrations and ceramics.
Mexico City based artist Martin Ferreyra was born in the city of Cordoba, Argentina. Regarding the arts, he is mainly self-taught, participating in workshops in painting and ceramics. In recent years his work has been divided between those two, developing a personal world within his visual imagery. He has been investigating and working with concepts around identity, ritual, and myth, latent in the collective unconscious of latin culture.
Los Angeles based Thomas Housago’s work playfully subverts the expectation of sculpture. Drawing reference to a multitude of styles such as Classicism, Cubism, and Futurism, Houseago’s intentionally clumsy forms trade the imperious and enduring qualities of traditional bronze or marble for the humble aesthetic of plaster and various found materials. Lacking the weighty physical stature associated with three dimensional media, Houseago’s ‘monumental’ structures appear almost comically flimsy, reducing the grandiose weight of art history into sympathetic effigies.
Houseago is fascinated by tribal art from Africa and the South Pacific, an influence evident in the primitivist mask-like heads and crude features of his disjointed figures. To create them, Houseago begins with a structure of iron rods, then adds materials such as plaster, hemp, and wood. Some of his works incorporate charcoal or graphite sketches of faces and anatomy on plaster and wood panels, producing an unfinished look that draws attention to the artist’s process.
Brooklyn-based painter Torey Thornton creates abstract, crudely rendered forms to explore the picture plane as both a spatial field and a medium for conjuring images and sensibilities. Thornton rejects the canvas, instead preferring the textural possibilities of paper, found wood, and slatted panels, all of which serve as the grounds for spray and acrylic paint, as well as collaged objects. His paintings exhibit various influences, from color field and monochrome painting to biomorphic abstractions. Certain elements suggest recognizable forms—cars, the sun—while others are more cryptic, such as the repeated appearance of perpendicular lines.
Los Angeles based artist Orion Martin is known for his stylized, super-flat style, which re-contextualizes the still life into seductive portraits of consumerism. Often presented in over-the-top, polished plastic frames, Martin’s works combine various limbs and objects, interweaving each object into an elegantly cohesive statement.
Cologne-based artist Melike Kara’s canvases are sketchy and spare, economically painted in one or two colors on bare white background. The characters that populate her enigmatic canvases are regularly put through their paces. While some images seem relatively sedate, others are full of figures performing an array of impressive choreographies featuring gravity-defying somersaults and backflips. The contorted bodies, all long arms and legs, offer a casual articulation of human anatomy: with their outstretched hands and legs akimbo, the figures literally let it all hang loose.
Marguerite Humeau has produced an entire series of new work. A physical and sensory experience at the crossroads between research and fiction. Myths, speculations and fantasies are at the heart of Marguerite Humeau’s artwork. The development of each project includes a phase of extensive research and collaboration with numerous specialists and scientists.
Working at the intersection of art, science, and technology, Marguerite Humeau explores the mythic power of scientific narratives and their effect on a larger understanding of the world. Starting with intensive research, Humeau traverses diverse fields such as paleontology, media theory, and biology to find factual basis for her sculptural and sound-based works.