by Ariadna Zierold
Cologne-based artist Melike Kara’s canvases are sketchy and spare, economically painted in one or two colors on bare white background. The characters that populate her enigmatic canvases are regularly put through their paces. While some images seem relatively sedate, others are full of figures performing an array of impressive choreographies featuring gravity-defying somersaults and backflips. The contorted bodies, all long arms and legs, offer a casual articulation of human anatomy: with their outstretched hands and legs akimbo, the figures literally let it all hang loose.