by Ariadna Zierold
Tehran-based artist Salman Khoshroo creates large-scale figures and portraits that practically drip from the canvas. Most of these pieces are several feet tall, composed of enormously precise strokes that veer toward abstraction while eventually leading to a cohesive figure.
Working in his studio in Tehran with a large palette knife to spread oil colors directly on the canvas, Khoshroo’s paintings harness figurative abstraction to evince very concise figures of emotional tension. Beginning with portraits of people he knew, his style evolved from one based on realism to one that draws from abstract art, expressionism and fauvism.
His interest in painting the human face is twofold, both as a conduit of human emotions, made all the more pertinent in his home country where women have to cover up the rest of their bodies; as well as an expression of identity and self-presentation in the age of Facebook.