MURALS AND PAINTINGS BY TELMO AND MIEL

by Ariadna Zierold

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Artistic Duo, Muralists and imagemakers Telmo Pieper and Miel Krutzmann started working on their creative abilities from a very young age. Working together seamlessly, they both enjoy working in realistic styles. With loads of contrast in subjects. Technique and style have a high priority in the artwork of Telmo & Miel, true craftsmanship is what they want to produce. They work separately on ideas for murals and come together with the sketches to see if combinations can be made. The result is usually very surrealistic, with attention to detail. They always work on the same piece together and are able to switch places when ever wanted or needed.

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AMERICAN REALISM BY BO BARTLETT

by Ariadna Zierold

bo bartlett, realism, painting, narrative, people, scenes, american, modernism, realist, upper playground

Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism. Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.

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IDENTITY SCULPTURES BY TED LAWSON

by Ariadna Zierold

ted lawson, sculpture, anatomy, surreal, dripping, new york, abstraction, geometric, digital, technology, upper playground

New York City based Ted Lawson reveals a persistent interest in the human body. His art investigates processes related to the physical body such as growth, its needs, its decay and death. Lawson strips individuality from his subjects while simultaneously forcing character through implications of the viewer, and therefore, complicating the very meaning of identity.

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Using figurative representation and geometric abstraction, Ted Lawson creates a narrative progression of forms that reveals something conceptually greater than the sum of their parts. Ted’s large scale works combine digital technology with highly crafted traditional sculpting methods to seamlessly produce conceptual objects that express the underlying analog truth within his subject matter.

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COLOSSAL HUMANOIDS BY JEAN PIERRE ROY

by Ariadna Zierold

jean pierre roy, illustration, painting, scifi, surreal, scenes, science fiction, new york, upper playground

New York based artist Jean-Pierre Roy (previously featured here) paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality.

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MISCHIEVOUS MICROCOSM BY BONETHROWER

by Ariadna Zierold

david m cook, bonethrower, illustration, skulls, surreal, colorful, los angeles, upper playground

David M. Cook is the architect of a mischievous microcosm. Amicable and unassuming, he hardly seems the “type” to consistently and skillfully crank out such a lewd labyrinth of work, but the cheeky hedonism comes all too naturally. Based in Los Angeles by way of Brooklyn, but originally from Louisville, Kentucky, David (who also answers to Bonethrower) uses no shortage of fine lines to design a world that is equal parts modern mysticism and memento mori—at the end of the day, it all sinks in like a psychotropic drug.

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MINIATURE CITIES BY AYUMI SHIBATA

by Ariadna Zierold

AYUMI SHIBATA, CITIES, MINIATURE, PAPER, GLASS, CONTAINER, JAPANESE, UPPER PLAYGROUND

New York based Ayumi Shibata imagines delicate paper cities, entirely cut out by hand and installed into glass containers. She uses traditional methods of Japanese paper cutting to create miniature cities within vessels of glass. Her chosen materials reference the delicate relationship humans have with our environment and natural forces of our world.

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HUMANOID INSECTS BY MAD MEG

by Ariadna Zierold

MAD MEG, ILLUSTRATION, MONOCHROME, INSECTS, HUMANOID, HUMOR, UPPER PLAYGROUND

Mad Meg ‘s harmonious and nightmarish universe is a reflection of our time, our
society. Influenced by French and international news and politics, Mad Meg is engaged, relating it all to us with a ferocity of vision and considerable humor.
Far from fairy tales with their happy endings, the artist confronts her own childhood stories, yet adjusts their course. Here the relationship to the marvellous ceases to exist; Mad Meg breaths life into her characters, and she lets them die—just like in real life.

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BLUE SERIES BY JULES JULIEN

by Ariadna Zierold

jules julien, painting, blue, blue series, dark, faces, animals, painting, amsterdam, france, surreal, realistic, clean, minimalistic, simple, upper playground

Amsterdam based artist Jules Julien‘s universe crosses many opposite sides; colorful and dark, graphic and sensitive, realistic and surreal. His clean and simple aesthetic makes his work immediately recognizable. He puts in scene a world where the symbol blends with the anecdote and where the strange is concealed behind the images in his meticulous paintings.

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AN AUTOMATED ERA BY NICO SARA

by Ariadna Zierold

nico sara, painting, argentina, realistic, handmade, upper playground

Nico Sara is based in the city of Rafaela, in the province of Santa Fe, Argentina. His work blends the handmade past and machine-made future. These glazed and enhanced objects morph into a fully automated era when fantastic objects can be instantly manufactured. Nico believes the manual process of meticulously painting them by hand brings a human dimension that transforms these artworks into the props of life.

nico sara, painting, argentina, realistic, handmade, upper playground

“My work plays in the limit between craftsmanship and technology. The images I use are composed appealing to photography and computers, which are later rendered on the canvas painting them by hand with brushes, in an effort to rescue the craft work and at the same time showing that is possible to get close to the quality of something produced serially by technologic processes.” Nico Sara

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