Toni Hamel lives and works in Oshawa, a suburb of Toronto, Canada. She describes her work as “an illustrated commentary on human frailties“. Rooted in story-telling, her art practice draws from personal experiences and outward observations to create thematic bodies of work that reflect on and interpret the psychological unease characteristic of our age. Virtues and vices, the holy and the profane, the good and the bad all share equal weight in her work and supply an infinite source of material for her investigations.
Such conceptual framework leads Hamel to work across disciplines: drawings, paintings, sculptures and installations are rendered in both traditional and non-traditional materials and are selected based on their ability to support the particular message she needs to convey. Pointing to historical and psychological references while tackling issues of universal interest, Hamel’s narratives question our behavior to eventually alert us about the repercussions of our current thinking models.
Morgan Blair (previously featured here) is a freelance illustrator, fine artist, and desperado. She is a recent graduate of Rhode Island School of Design (RISD), now living in Brooklyn, New York and continuing to advance her interest in trees, legos and excellent music.
Blair’s recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles. The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.
Düsseldorf, Germany based Roman Klonek (previously featured here) was born in Kattowitz, Poland. He has a spot for old fashioned cartoons and modern block printing styles. In the 90s he studied Graphic Arts in Duesseldorf and discovered a passion for woodcut.
For 15 years he has been doing posters with a wide range of whimsical creatures, mostly half animal/half human, preferential in awkward situations. In his work, you will find a bizarre balancing act between propaganda, folklore and pop.
Robert Minervini is an artist working in painting, drawing, printmaking, murals, and site-specific public art. His work examines spatial environments and notions of utopia in large-scale cityscapes, landscapes, and floral still-life arrangements, which addresses the ecological impact of humanity.
He received his MFA from the San Francisco Art Institute, and his BFA from Tyler School of Art. He has an extensive exhibition history and has participated in artist in residence programs at the Bemis Center for Contemporary Arts, the Headlands Center of the Arts.
Stacey Rozich paints a folkloric narrative that draws inspiration from many cultural references, building scenarios pulled from a realm of familiar fictional archetypes and traditions. Influence is taken from travel, world textiles, childhood memories and the many many hours spent watching television. All works are created in watercolor and gouache.
Anthony Hurd‘s work is an endeavor of exploring his own personal demons and understanding the ever changing landscapes of life. A way of expressing sometimes the inexpressible. The motifs change over time but currently the works he’s pursuing focus on cyclical nature of life, the rise and fall, the destruction and rebirth, the dark and light. Fighting depression and anxiety with introspection and personal growth. The work is a bit of a celebration of survival, and the depths of darkness that have revealed his own personal greatest truths.
Brooklyn, New York based Clark Goolsby‘s abstract paintings spring from an interest in how we maintain optimism in a world that is so full of potentially life-ending situations. Goolsby’s imagery often references mortality, the passage of time, and mutable perceptions of space; skulls, body parts, and skeletons are recurring motifs in some of his abstract compositions.
His style is characterized by experiments with hard-edge geometry and surrealism, and is also influenced by classical art history and graffiti. In the late 2000s, Goolsby started incorporating different materials into his acrylic on paper works, including collage elements, pen, pencil, spray paint, and markers. More recently, he has created multimedia sculptural installations with string.
San Francisco based Matt Furieis an artist, illustrator and children’s book author. He’s best known for his character Pepe, a fun-loving stoner frog from his comic Boy’s Club, who has become a ubiquitous internet meme. Check out some of his illustrations.
Much of David Rice‘s work focuses on the themes of nature and its personifying characteristics. Growing up in the mountains of Colorado, he has a special connection with the outdoors. David uses the natural landscape and its inhabitants as his primary subject matter.
Melding together an organic style with graphic overlays, his style combines a mixture of the natural world with a geometric presence. Blurring the boundary between manmade and natural. Instead of only a natural world existing, or one that is manmade, the two can coexist harmoniously if the dominant party yields to this cohesive existence.
Check out the new work by Michael Reeder (previously featured here). Centered on portraiture, Reeder’s current body of work seeks to make a direct connection with the audience. This connection encourages viewers to bring their own perceptions, imagination, and vision to light alongside his.
Throughout his work, realism is mixed with flat graphic space, and themes or motifs of identity, ambiguity, and ego are loosely implied. The convergence of infinite space and the figure highlights the realm of contemplation located between the conscious and the subconscious mind.