Wesley T. Wright is a Northern California based ceramic and mixed media artist known for his highly detailed and eccentric imagery. His work addresses environmental and existential issues with humor, grit, and imagination. Wright’s evocative sculptures have been exhibited in galleries and museums across the country including the Glassell Fine Arts Museum in Houston, Texas, and the De Young Museum in San Francisco, California.
Sydney based Tony Papesh is a freelance animator/ illustrator/ designer/ artist from the San Francisco Bay Area. His passion is character animation but he is skilled in mostly any form of animation such as: 2D animation, 3D animation, hand-drawn animation, motion graphics, stop motion, and rotoscoping. He gets inspiration from cartoons, comics, and video games and a lot of the playfulness of these mediums shows through his personal art.
Geneva, New York based Jacc Shutter is an aspiring independent artist that has been drawing since he was 2 years old. Jacc mostly uses brush tip prismacolor markers for his pieces and sometimes acrylic paint. He draws most of his inspiration from artists such as Salvador Dali, Keith Haring, and M.C. Escher but also from music by artists like David Bowie or Arctic Monkeys.
Buenos Aires-based artist Leandro Erlich’s “Single Cloud Collection” gives us a surreal taste of what capturing a cloud in glass would look like. Using the artistic method of layering, Erlich’s sculptural pieces are given a three-dimensionality. Each “captured cloud” is the illusionary result of numerous panes of glass that are individually embellished with acrylics.
Erlich plays with an audience’s visual senses. The artist forces viewers to rethink the way they see things. Like a true magician, he leaves one to question the impossibility of something. What appears to be a three-dimensional anomaly seems to be true based on sensory observation, but, ultimately, is just an illusion.
Greg Parma Smith‘s painted realism is perversely synthetic and immaculately crafted. His works, composed of oil, acrylic and metallic leaf, are baroque in their construction and subject matter. Smith’s use of cartoons seems at the service of a more hermetic endeavor, one that further mystifies the relationship between a popular image and a rarified artwork.
Berlin based Maren Karlson makes drawings of powerful Amazonian women interfacing in a world of recurrent tropes that range from dominatrix Mickey Mouse, hyper-geometric interiors, and half-burnt cigarettes. The character is mammoth, with undulating arms and an anthropomorphic braid; badass, aggressive and splendid. Her ladies hold their fists high, they’re vulgar and violent and unapologetically beautiful.
Colombian illustrator Juan Osorno’s surreal astro-anatomical illustrations are not only an expression of the imagination but of the very experience of drawing. Faces that cave into landscapes and galaxies, anatomically precise studies of a hand that spill into a cascade of blood vein-like roots.
Osorno’s work is imbued with the scientific precision of botanical drawings and an almost mathematical examination of perspective and space within the two-dimensional paper palette. The combination of beautiful natural elements like geometric shapes, constellations and the human body make very interesting images, showing a deeper, more emotional, layer than the images you find in anatomical books.
Blake Neubert is an American painter, illustrator and writer now based in Fort Collins, Colorado. His art specifically concentrates on the last quarter of the 19th-century American West and images of cowboys, ranchers, and American Indians.
Although he began his career painting relatively standard Western Americana, he has recently blazed a bold new trail into more strange and surreal work. On his Instagram page and YouTube channel, you’ll find multiple videos of what is quickly becoming a signature style: he paints a figure, typically something you’d expect to see in your great aunt’s collection of kitschy thrift store art, then to finish the piece, slides a razor blade across the top layer of paint to reveal a hidden perversity beneath.
The finished work is a morbid curiosity—you just can’t help but stare and wonder why exactly Superman has terrifying bloodshot eyes or how the blonde beauty got a ball gag in her mouth.
Andrew Fairclough is a Sydney based Illustrator, Designer and Art Director. After completing a Business Degree, Andrew moved on to designing skate and snowboard graphics in between self-instruction and full time work in a design agency.
Andrew’s work is inspired by mid-century spot illustrations and design as well as vintage sci-fi, comics, surrealism, DIY art culture, and the textural wonders of degraded print. Often working with a restricted color palette Andrew’s work seeks to hint at the nostalgia and tactility of found art, whilst also creating something completely new.
Born in Brighton in 1989, Emma Hopkins studied at Brighton and Hove City College from 2005 to 2007, thereafter she went on to study at the University of London from 2007 to 2010, where she was trained in the special art of prosthetics for performance. Since then, Hopkins has studied Drawing the Human Anatomy at The Royal Drawing School, London, in 2015. She now lives and works in London.
Based upon her understanding and knowledge of the human anatomy, Hopkins allows parts of her work to revel in the deep analysis of concrete substance; skin, flesh, and bones. By focusing on the parts of the body that we use most to express our thoughts and feelings – the face, hands, and eyes – she simultaneously allows her work to flow freely in between as if the blood is feeding oxygen to a preserved life force.